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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Jean Whitehorse in a still from Lorna Tucker’s ‘Amá’

Jean Whitehorse in a still from Lorna Tucker’s ‘Amá’

Real American Heroines: Lorna Tucker’s ‘Amá’ kicks off the Global Health Film Festival 2018 in London

E. Nina Rothe November 21, 2018

When I spoke to Italian filmmaker Roberto Minervini in Venice, I asked why he’d made ‘What You Gonna Do When the World’s On Fire?’ His answer still haunts me today, “one of the biggest reasons I made this film is that I realized that progressive America to which I belong, has accepted a level, a threshold of tolerance which includes inequality.” Minervini then added, as a mantra that now accompanies my own daily mundane struggles as a woman “there is no more fight for equality, lesser inequality has become the new equality.” We as a society tolerate, we no longer wholeheartedly accept or deny. And we seem to be OK with tolerating a lot of human beings.

In introducing Lorna Tucker’s latest documentary ‘Amá’ I feel like I must mention my fellow Italian Minervini, because I, like him and Tucker, wear a different pair of glasses when I look at American society today. I see America through the lenses of a first generation immigrant. I don’t see Trump as the new evil, but simply a reincarnation of all that is considered to be as “American as apple pie” — institutionalized racism and the persecution of people who are different and who have the courage to remain different.

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In Film Tags Lorna Tucker, Amá, Global Health Film Festival, London, Curson, Soho, Westwood: Punk Icon Activist, Jean Whitehorse, Charon Asetoyer, Yvonne Swan, Reimert T. Ravenholt, Native American population, women's rights, USAID, Roberto Minervini, African-American
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The Black Power Mixtape 1967-1975

'The Black Power Mixtape 1967-1975' : The Revolution Will Be Documented

E. Nina Rothe February 10, 2018

I think the reason I love cinema so much is that, as a medium, it possesses the most potential for uniting the world. While we watch a DVD of a French film at home, sit in a theater being washed over by the images of an Italian B & W classic, or surreptitiously check out the recent download of a Bollywood movie on our iPad, we are undeniably transported to other lands, other eras and, most importantly, other ways of looking at things. But while the promise is there every time we choose a title, few films achieve the grand objective of forever changing our mind and enriching our world permanently.

Swedish filmmaker Göran Hugo Olsson’s documentary 'The Black Power Mixtape 1967-1975' is one of those once-in-a-lifetime films which seamlessly reaches the full cinematic goal of changing its viewers’ world for good.

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In Film, Interviews Tags Goran Hugo Olsson, Sweden, The Black Power Mixtape: 1967-1975, film, documentary, The Black Power movement, Civil Rights struggle, The Black Panthers, Mutabaruka, Louis Farrakhan, Nation of Islam, Maya Angelou, Malcolm X, Nelson Mandela, Angela Davis, Stokely Carmichael, Eldridge Cleaver, USA, African-American, Danny Glover, Joslyn Barnes, Arab Spring
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