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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from The Present

Farah Nabulsi on her haunting film 'The Present' and the "misrepresented Palestinian stories" she was born to tell

E. Nina Rothe May 27, 2020

The discovery of Farah Nabulsi’s stunning, honest and beautiful film ‘The Present’ I owe to Palestinian favorite actor Saleh Bakri. I mean, as soon as I saw his name on the Brooklyn Film Festival line-up page, I was hooked. But while his presence is undeniably a wonderful pull into the film, Nabulsi’s perfect oeuvre stands on its own.

The title ‘The Present’ could refer to a gift, the one Yusuf, Bakri’s character goes to buy for his wife on their wedding anniversary. But it also means, to me, the current state of affairs, the here and now, for the Palestinian people.

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In Interviews, Film Festivals, Film Tags Farah Nabulsi, The Present, Brooklyn Film Festival, BFF, Palestine, Kuwait, Lebanon, Palestinian cinema, Saleh Bakri, short film, Naksa, filmmaking, women filmmakers, Nael Kanj, Maryam Kanj, Hind Shoufani, Philistine Films, Covid-19
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Geeta in 'Brother Move On'

Antshi von Moos's 'Brother, Move On' is an ode to the courage of one woman driving her taxi at night in Delhi

E. Nina Rothe May 26, 2020

Antshi von Moos’s debut documentary short ‘Brother, Move On’ is one of those unmissable films which possesses the right appeal, even on paper. The story of a Delhi woman who drives a taxi at night, catering to an all-female clientele to make sure they get home safely, made up the perfect storm of place, leading character and premise to secure I’d yearn to watch it. That it is a real story, told with kindness and a deep understanding of the subject matter at hand, is just icing on the cake.

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In Film, Interview, Interviews, Film Festivals Tags Antshi von Moos, Brother Move On, India, Delhi, female taxi driver, women-only taxi, Mumbai, Brooklyn Film Festival, Geeta, Rangoli Agarwal, Valérie Sauvin
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