As well as a feature doc by Iraqi actress and filmmaker Zahraa Ghandour, a web series by Palestinian storyteller Amer Shomali, Damien Ounouri’s and Adila Bendimerad’s follow up to festival fave ‘The Last Queen’, and shorts by Qatari talents Mahdi Ali Ali and Majid Al-Remaihi.
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A still from ‘Yalla Parkour!’ by Areeb Zuaiter
There are eight DFI-supported titles in this year's Berlinale lineup
And at least one in each section too, including Competition and the new Perspectives for first time features.
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Freida Pinto and Hiam Abbass in a scene from ‘Miral’
Six films to help explain the current Gaza/Israel conflict
While festivals throughout the Region, and beyond, senselessly cancel their latest edition “in support” of the Palestinian cause, the best thing they could do would be to finally showcase cinema from Palestinian and Israeli auteurs, as well as one American filmmaker, who can collectively help explains the situation and smother the fire of warmongers with culture and education.
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Khalid Abdalla in a still from 'In the Last Days of the City'
Tamer El Said's 'In the Last Days of the City': "What do you do when the world is collapsing around you and you only have a camera?"
I believe there are two types of films. There are those that take you on an adventure -- meaning you go through a rollercoaster of emotions and excitement while sitting in the theater, surrounded by others who share the same thrills with you.
Then there are movies which bring you on a journey, one that can last you a lifetime. Egyptian filmmaker Tamer El Said's 'In the Last Days of the City' belongs to the latter category. Once you inhabit its well-shot landscapes and meet its unforgettable cast of characters, they never, ever let go of you. And that's a good thing! More than a year and a half later, after my first viewing they continue to color my dreams and tint my emotions, but most importantly, they have changed the way I think of Cairo, Egypt and its courageous inhabitants.
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