Maybe it’s the way the 8-part series — spearheaded, written and directed by Steven Zaillian — showcases a kind of world gone by, in its hauntingly perfect B&W. Or maybe it’s how there is a bit of Tom Ripley in each and every one of us. Whatever the reason, the Andrew Scott starrer is now deeply embedded in my heart… and thoughts.
Read More'Toxicily' -- Festival dei Popoli review
There is no place in Italy as beautiful and as filled with diverse culture as the southern Italian island of Sicily. And yet no place has been abused more — by wars, invasions and more recently, pollution — the latter pointed out hauntingly by filmmakers François-Xavier Destors and Alfonso Pinto in their impressive ode to this modern “wasteland.”
Read MoreJacopo de Bertoldi's 'This Is Not Cricket': What a "little story of the ordinary everyday" can teach us of our world
I found my love for cricket within an Italian filmmaker’s documentary that has little to do with the game and much more with humanity’s place within it. Well, the film is called ‘This Is Not Cricket’ after all, and the filmmaker is wonderfully fresh voice in documentary, Jacopo de Bertoldi. A man with whom every conversation turns into an explanation of life.
Read More'The Two Popes' on Netflix: Sounds from a cinematic gem
I crave for a film to do something more than entertain me, when I sit down to write about it. A work of the 7th art has to change me. I need to feel like something magical clicked deep inside me to walk out of a theater, or in this case the room where I watch my TV, and sit to pen my thoughts. ‘The Two Popes’ did that. It not only showed me a different side to a story I thought I already knew — the changing of the guard between one pope and the other in 2013 — but also reinterpreted a character, former Cardinal Jorge Bergoglio now Pope Francis, in a way that changed my negative opinion of him. And I know at least one other person who felt the same way, my movie-watching partner.
Read MoreA Woman, armed with courage and her camera: 'Shooting the Mafia' by Kim Longinotto
Letizia Battaglia, her last name not incidentally means “battle,” has been a one-woman army fighting that decline. Through her photographs of the Mafia and the destruction it caused in her home city of Palermo — courageous because each one could have meant her death by execution, if only for having captured the soul of the unworthy, or the wrong moment in time — Battaglia has shown the world what courage, resilience and being Italian really does mean, at its highest form.
Read MoreNanni Moretti's 'Santiago, Italia': Even as a documentary filmmaker, Moretti overwhelms with his vision
I’ll admit straight away, I’m partial to Nanni Moretti’s art. I adore his style and his films have inspired various stages of my life. In fact, I find myself reconnected to my Italian roots so deeply thanks to him.
But I did go to watch his latest, the documentary ‘Santiago, Italia’ with a grain of skepticism. I mean, Moretti proved he’s capable of making a kind of documentary many years ago, in 1998 to be exact, with the reality based ‘Aprile’. But could he hold my interest for 80 minutes with an archival film based about the coup in Chile, the original horrors of a September 11th which came long before our US one, and left their fairly elected president dead, with many other tortured and missing?
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