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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

From left, Angela Fontana, Blu Yoshimi Di Martino and Denise Tantucci in 'Likemeback'

From left, Angela Fontana, Blu Yoshimi Di Martino and Denise Tantucci in 'Likemeback'

Leonardo Guerra Seràgnoli's 'Likemeback': the good times, the lessons, the heartaches and perils of social media

E. Nina Rothe August 23, 2018

During this year's Locarno Festival, a few of the films I watched although narrative features, felt more like documentaries. Wonderfully gratifying documentaries without judgement or a cliche point of view in sight.

One such film was Leonardo Guerra Seràgnoli's 'Likemeback'. Perhaps because of the spontaneous acting by three exceptional young women -- Angela Fontana as Danila, Denise Tantucci as Carla and Blu Yoshimi Di Martino as Lavinia --  or maybe due to Guerra Seràgnoli's script and intimate way of filming this trio of friends on vacation on a sail boat, 'Likemeback' felt real.

Unforced and unequivocally cool.

In this age of #MeToo and TimesUp movements, 'Likemeback' offers a cautionary tale on the power of female sexuality and seduction and how that can be harnessed for the worst intentions. But it also places us in a front row seat on viewing the dangers of social media, when in the hands of the young and inexperienced.

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In Film, Interviews Tags Likemeback, Locarno Festival, Locarno 71, Locarno, Italian cinema, social media, Denise Tantucci, Blu Yoshimi Di Martino, Leonardo Guerra Seragnoli, Angela Fontana, Ingmar Bergman, sailboat, Rome, Ponza, Clip, Instagram
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