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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from the film, courtesy of Warner Bros. Pictures

Tim Burton’s 'Beetlejuice Beetlejuice' to kick off 81st Venice Film Fest

E. Nina Rothe July 2, 2024

The film features Michael Keaton, Winona Ryder, Catherine O’Hara, Justin Theroux, Monica Bellucci, with Jenna Ortega, and Willem Dafoe and will be screened on the 28th of August in the Sala Grande.

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In Cinema, Festival, The Diaries Tags Steve Schofield, Tim Burton, La Biennale di Venezia, Venice International Film Festival, Beetlejuice Beetlejuice, Warner Bros. Pictures, Venice, Lido, Sala Grande, Michael Keaton, Winona Ryder, Catherine O’Hara, Justin Theroux, Monica Bellucci, Jenna Ortega, Willem Dafoe, Out of Competition, Opening Film, Alberto Barbera, Alfred Gough & Miles Millar, Seth Grahame-Smith, Michael McDowell & Larry Wilson, Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper, Sara Desmond, Katterli Frauenfelder, Larry Wilson, Laurence Senelick, Brad Pitt
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This year’s Palm Dog winner Kodi with his director and co-star Laetitia Dosch

The Cannes Diaries: The day the festival went to the dogs!

E. Nina Rothe May 25, 2024

The Palm Dog winners, that is…

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In Cinema, Festival, The Diaries Tags Palm Dog, Cannes, festival de Cannes, Cannes Film Festival, dogs, Messi, Anatomy of a Fall, Woopets, France, Knauf Jewels, Soho Poms, Wendy Mitchell, Kinds of Kindness, Yorgos Lanthimos, Emma Stone, Willem Dafoe, Bird, Andrea Arnold, Megalopolis, Francis Ford Coppola, Mutt Moment, Black Dog, Eddie Peng, Taiwan, Little Xin, Hu Guan, Toby Rose, Snoop, Palme D'Or, Kodi, Laetitia Dosch, Dog on Trial, Un Certain Regard, Kaleem Aftab, Peter Bradshaw, Rita Di Santo, Juliette Binoche, Meryl Streep
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A historic first prize for Moroccan cinema, at this year's Marrakech Film Festival

E. Nina Rothe December 4, 2023

After all was said and done, there were no losers at this year’s Marrakech International Film Festival, where audiences got a free taste of great cinema and Moroccan films made history.

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In Cinema, Festival, The Diaries Tags Marrakech International Film Festival, FIFM, Moroccan cinema, The Mother of All Lies, Asmae El Moudir, Mads Mikkelson, Willem Dafoe, Faouzi Bensaïdi, Simon Baker, Anurag Kashyap, Viggo Morterson, Tilda Swinton, Andrey Zvyagintsev, Al Haouz, Cinema for Young Audiences, Banel & Adama, Excursion, Dormitory, Yurt, Doga Karakas, Ramata-Toulaye Sy, Asja Zara Lagumdzija, Jessica Chastain, Bye Bye Tiberias, Lina Soualem, Hiam Abbass, Dee Rees, Hounds, Kamal Lazraq, Palestine, Alexander Payne, The Holdovers, Sideways, Golden Globes, Academy Awards, Oscars
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A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

A still from 'Roma' the Venice Golden Lion winning film by Alfonso Cuarón which will be in theater and on Netflix in December 2018

The Venice Diaries: The mixtape of Venezia 75 is an homage to creativity's soundtrack

E. Nina Rothe September 10, 2018

This year's Venice Film Festival seemed to carry a special soundtrack, like a mixtape of our collective thoughts and hopes and wishes. For a future where we are finally able to learn from our past and stop thinking that our opinions count individually. For a world where we will discover, finally, a middle ground in shades of grey, instead of living everything in either black or white.

Here is my Venezia 75 Mixtape. 

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In The Diaries, Festival, Cinema Tags Roma, Alfonso Cuaron, Venezia 75, Venice Film Festival, La Biennale di Venezia, Golden Lion, Netflix, A Tramway in Jerusalem, Amos Gitai, Voyage en Palestine, Gustave Flaubert, Israel, Palestine, Palestinian rapper, I don't know how to love him, Andrew Lloyd Webber, Jesus Christ Superstar, What You Gonna Do When the World's On Fire?, Roberto Minervini, Chief Kevin and the Mardi Gras Indian, Somebody Gotta Sew, spirituals, A Star is Born, Bradley Cooper, Lady Gaga, Shallow, SIA, Spotify, Natalie Portman, Vox Lux, Brady Corbet, Willem Dafoe, The Greatest, C'est ça l'amour, Claire Burger, Venice Days, Giornate degli Autori, Paolo Conte, Sparring Partner, film, music, mixtape
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La Biennale del Cinema poster

The Venice Diaries: Creativity decoded by Schnabel's 'At Eternity's Gate', Assayas' 'Non-Fiction' and 'Why Are We Creative?'

E. Nina Rothe September 4, 2018

The first ever Venice Film Festival was held in 1932, from the 6th to the 21st of August and it opened with 'Dr. Jekyll and Mr. Hyde' -- the Fredric March version. March went on to win favorite actor and since there were no official prizes, he was picked by the audience.

In that magical moment, during the first edition of the first ever world film festival our own profession -- film criticism and film writing -- was also born. There hadn't been a true need for it before, think about it.

When I come to Venice, I realize this is where it all comes from, and despite some problematic years in our history, we should remember the heritage of the Venice Film Festival. All journalists should take a moment and think about that when they first set foot on the Lido. Without Venice, we probably wouldn't be here. They started it. All.

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In Cinema, Festival, The Diaries Tags Venice 75, Venice, Venice Film Festival, Venice Days, La Biennale di Venezia, Why Are We Creative?, Hermann Vaske, Quentin Tarantino, Yoko Ono, Dalai Lama, David Bowie, Vivienne Westwood, Stephen Hawking, Giornate degli Autori, Arafat, Shimon Perez, Willem Dafoe, Doubles Vies, Non-Fiction, Olivier Assayas, Juliette Binoche, Guillaume Canet, Personal Shopper, Vincent Macaigne, Nora Hamzawi, creativity, favorites, At Eternity's Gate, Julian Schnabel, Vincent Van Gogh, Rupert Friend, Mads Mikkelson, Emmanuelle Seigner, Miral, Basquiat, Before Night Falls, Competition
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