If ever there was an upcoming event that felt outrageously exciting, almost too jam packed with greatness (could there ever be such a thing!) it’s the Marrakech International Film Festival — which will take place from November 30th to December 8th, 2018 in the beautiful Moroccan city. Now in its 17th edition, the festival took a year off in 2017 and is coming back stronger, better and more action-packed than ever.
Read MoreThe Locarno Film Festival Diaries: The Prizes, the Takeaways and ‘Till We Meet Again, Locarno
A film festival is of course only as great as the sum of its parts, and one very important, visual and ever-present part of the well-loved and hyper-attended festival that is Locarno is represented in the figure of its Artistic Director, Carlo Chatrian. A film journalist, writer, film programmer and now as the visionary head of the festival, Chatrian has been a part of Locarno Festival since 2002, inheriting his latest role in 2013. Those attending, as well as those following the event on social media and through their informative, interactive website, will notice his infectious enthusiasm. When I caught up with him on the next to last day of the festival, after he greeted the delegations of the day’s films during lunch — an activity he calls “a pleasure, after spending so much time in the dark watching films, to see these films come to light, and meet those who have done that work” — and then did a lively TV interview, he still had energy to spare. I, on the other hand, was exhausted by then.
Read MoreThe Locarno Film Festival Diaries: ‘Panoptic’, Cinematic Heroes and Dinner with a Diplomatic Legend
It is not often that a film journalist like me gets to experience the stuff hard core news are made of in first person, up close. I mean, I’ve been privy to some great cinematic history in the making and yes, I lived in NYC at the time of the attacks of 9/11 so I watched unmentionable horror unfolding before my very eyes, but in Locarno I feel part of another narrative that will affect the world as we know it.
I’m talking about the sudden decision by UN war crimes Special Prosecutor Carla del Ponte to quit her post, because she feels that Syria is now “a land without future”. Appointed to a three-member panel set up in August 2011 by the Human Rights Council to monitor the al-Assad regime and the unfolding civil war in Syria remotely, del Ponte represented the one slight hope for justice and yet today, that hope seems gone. Having previously sat on tribunals that investigated atrocities in Rwanda and the former Yugoslavia, del Ponte is most famous for putting Serbian leader Slobodan Milošević on trial at The Hague. And for having stood up to Sicily’s La Cosa Nostra and won, by simply walking away with her life. Now that’s a hero of a woman right there!
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