Back in 2012, I met Egyptian superstar Khaled El Nabawy at the Abu Dhabi Film Festival. He was there with an Arab-American co-production and we sat down with his director and co-star during a sun filled afternoon, in an empty coffee shop inside the Emirates Palace hotel. It was an otherworldly moment that heralded the start of a beautiful friendship.
Read MoreThe Ultimate Sir Patrick Stewart: To boldly go where no journalist has gone before
It is obvious upon first meeting him that Sir Patrick Stewart is a man of contradictions. The young boy born in Mirfield who grew up in a poor household in Jarrow fraught with domestic violence is now an elegant gentleman at once stoic and kind. His proper Queen’s English is what one notices at once, making all attempts by this journalist to sound intelligent in his presence invalid. And yet Stewart admits that in his youth “you wouldn’t have understood me if you heard me talk, I spoke with not just an accent — we had a dialect, so we used other words as well.” He proceeds to make an example which of course, sounds like he’s speaking a foreign tongue, not even English anymore.
Read MoreAngels and no regrets: An interview with Lebanese Oscar-winning composer Gabriel Yared
In 2016 I caught up with Academy Award winning composer Gabriel Yared. This year, at the Rome Film Festival, I was awed by his background music for ‘Judy’ — the film which might garner Renee Zellweger an Oscar. His notes take us, the audience, through the later part of Judy Garland’s life and into her inner struggles. They are subtly unobtrusive, just as a background score should be. And that’s the genius of Yared’s work. Please read on for the original interview, published in the HuffPost.
Read MoreClaes Bang as 'Dracula' on BBC and Netflix is a sight to behold
Premiering just the the new year and decade begin next week, BBC’s ‘Dracula’ starring Claes Bang promises to be quite the thrill. It’s from the makers of the cool ‘Sherlock’ which starred Benedict Cumberbatch and turned the English sleuth into a sex symbol for many of us.
Read MoreMohamed Hefzy is the new Cairo Film Festival president, and here's why that's great news!
Just over a month before the Festival de Cannes kicked off on the Croisette, an announcement rocked the world of Arab cinema: Egyptian producer extraordinaire Mohamed Hefzy would be the new head of the Cairo International Film Festival. There are many reasons why Hefzy is the perfect man for the job, since CIFF has had its share of troubles following the revolutions of the Arab Spring. Among them, that he's long been a great cinematic bridge between the Arab world and the West. Also to keep in mind, the movie business in Egypt has gone through changes that would have shut the industry down in most other countries, and yet out of those ashes it is thanks to a visionary producer like Hefzy that Egyptian films are now seen beyond the Arab world.
I can easily quote the 'Yomeddine' example -- a simple, straight from the heart indie-like film that competed for the Palme d'Or this year in Cannes. Yes, in Competition, in Cannes. Not bad for a debut feature film!
So knowing that Hefzy will be at the helm of the oldest and most prestigious festival in Egypt is great news to this lover of Arab cinema.
Read More"We are American, no matter who we are": Jeffrey Wright on 'Westworld', role-playing and trusting "the Other"
In early December of 2016, just as the last episode of the first season of the HBO series 'Westworld' aired in the US, I sat down with Jeffrey Wright -- at the Dubai Intentional Film Festival.
I've always been a fan of Wright's work, from his unforgettable Tony and Emmy award winning performance on Broadway and TV as Belize in 'Angels in America' to his always welcomed appearances in political thrillers such as 'Syriana', 'The Ides of March' and 'The Manchurian Candidate'. Yet the final straw of my enchantment with this understated actor who is also a relentless human rights advocate, was his performance as Jean-Michel Basquiat in the 1996 Julian Schnabel film on the American artist. In one beautiful performance, Wright portrayed all the vulnerability and talent of a man who seemed to live in a world of his own, and yet had his cultural roots deeply planted in the American way.
Read More“People clapped when I died in Toronto”: Ewen Leslie on Playing the Perfect Baddie in Warwick Thornton’s ‘Sweet Country’
“The more successful the villain, the more successful the picture.” So Alfred Hitchcock once famously said and no one argues with the Master of Suspence.
Recently, I found that for me the triumph of Warwick Thornton’s ‘Sweet Country’ lies in Ewen Leslie’s performance as Harry March. Part dysfunctional sociopath, part shell-shocked soldier and a whole lot of smoldering angst to fill in the shades of grey in between, Leslie’s performance as the racist, sexual abuser March kicks off with a vengeance this poetic Indigenous Outback western with a Tarantino-esque twist.
I had the pleasure to interview Leslie in person a couple of years ago in Dubai, when ‘The Daughter’ played as part of the Dubai International Film Festival 2015 line-up. In person, the handsome Australian exudes a warmth and kindness which only add to his undeniable charm. And yet, here was this perfect gentleman being a complete bastard in ‘Sweet Country’. I mean, he wasn’t the model dad in ‘The Daughter’ either, but at least in Simon Stone’s film he upheld a certain moral standard. Not so in Thornton’s film, not at all, not as far as the eye can see — for the whole of maybe fifteen minutes he’s on the big screen! Leslie is every bit the perfect villain and more.
Read More“I think movies can be revolutionary”: Morgan Spurlock Talks ‘Super Size Me 2: Holy Chicken!’
Morgan Spurlock’s latest film ‘Super Size Me 2: Holy Chicken!’ is quite simply a perfectly truthful, wonderfully watchable, life-changing and good habit forming example of why movies will always show us the way forward.
Following is the interview I conducted with Spurlock in Dubai, where he talked about the mafia of “Big Chicken”, how poultry farmers get the short end of the nugget in the U.S. and how to vote for better food practices using the power of our wallets.
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