Photo by Getty Images, courtesy of the BFI London Film Festival
As ‘Four Daughters’ finally opens in the U.S., I sat down with the film’s director at the London Film Festival for a dose of typically straight to the point insight into her work and the film’s necessity, in our current media landscape that likes to categorize people as just good or evil, when life is really mostly lived in shades of grey.
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Photo courtesy of La Biennale di Venezia
While I interview Argentinian filmmaker Lucrecia Martel in Venice I can’t help but feel incredibly vulnerable. For one, I started writing about cinema and attending film festivals after her previous film ‘The Headless Woman’ was presented at the Cannes Film Festival in 2008. And I never had a chance to watch either ‘The Holy Girl’ or ‘La Ciénaga’ before that. So I’m a Martel virgin going into her latest ‘Zama’.
But mostly, I feel unguarded, bare in the presence of this quietly powerful woman. She is a filmmaker, an artist, an undeniable trendsetter — Martel smokes a cigar during our interview and of course, there are those trademark cool glasses she wears — but she is first and foremost a formidable woman. I gush constantly and I’ll admit hearing myself on tape to transcribe our interview afterwards is painful.
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