• Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
Menu

E. Nina Rothe

Film. Fashion. Life.
  • Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
×

The Diaries, because sometimes life needs more. 

A still featuring Noel Sto. Domingo from Lav Diaz' 'Season of the Devil'Photo © Giovanni D. Onofrio

A still featuring Noel Sto. Domingo from Lav Diaz' 'Season of the Devil'

Photo © Giovanni D. Onofrio

The Berlinale Diaries: Hulu's 'The Looming Tower' and a Lav Diaz virgin no more!

E. Nina Rothe February 21, 2018

The 21st century version of the all-American question "where were you when JFK was assassinated?" is "what were you doing when the planes hit the World Trade Center?"

Some of us watched the towers disintegrate before our very eyes, our landscape changed forever, and it's a vision, a feeling we will carry inside our hearts for as long as we live. The smell throughout downtown Manhattan, the lines of demarcation -- complete with checkpoints -- between the northern and southern parts of the city but also the newfound sense of camaraderie we bestowed upon each other to merely get from day to day, is also what I remember from those days.

Yet more and more in American history, we find ourselves examining tragedies like this one which could be avoided. The school shootings, in retrospect, all seem so avoidable. The destruction of Iraq -- and subsequently the Arab world imploding because of it -- appear so unnecessary and driven by greed. Even 9/11 was known beforehand. We all saw that knowledge on our President's face that day, in that classroom. He knew or at least, he imagined it could happen. And yet, we allowed it to continue on its dangerous path, leading to a national tragedy that changed us forever. NYC was never the same after that, and in the wake of September 11th, shady wheelings and dealings happened that changed the economic and human landscape of our beloved city.

Peter Sarsgaard in 'The Looming Tower'Photo courtesy of Hulu

Peter Sarsgaard in 'The Looming Tower'

Photo courtesy of Hulu

In his 2006 book 'The Looming Tower: Al-Qaeda and the Road to 9/11', journalist Lawrence Wright explored the possibility of thwarting this tragedy, in retrospect, and found within the Washington intelligence community a lot of egos and infighting. People getting in the way of their duties.

In the Hulu series premiering its first three episodes on February 28th -- and enjoying a sneak peak at this year's Berlinale -- executive producers Dan Futterman, Alex Gibney, and Wright examine all the events leading up to 9/11 including Monica's semen-stained dress coverage, the bombings of US embassies in East Africa and all the other missed opportunities to stop evil from entering our lives. Cinematically, 'The Looming Tower' works perfectly and I've never disliked personal favorite Peter Sarsgaard or adored Tahar Rahim more than in their respective roles as Martin Schmidt and Ali Soufan. 

As always, whatever filmmaker Alex Gibney touches turns to gold -- he seems to possess that rare combination of discovering good human stories which also make sense on a geopolitical level and appeal on the screen -- and 'The Looming Tower', also starring Jeff Daniels and some of the brightest stars from the Middle East like Ali Suliman ('Paradise Now', 'The Attack'), Tawfeek Barhom ('A Borrowed Identity') and Samer Bisharat ('Omar'), is no different. A really great watch, which lures you in and hooks you to your screen from the very first shot.

I'll admit, I have a short attention span, which is why TV now works so well... I imagine we all do a bit.

Usually, in the first hour of a film I'll check out the time at least once. But while watching Lav Diaz' 'Season of the Devil', his four and a half hour A capella opera in black and white about Martial Law in the Philippines in the late 1970s, I didn't check my phone once, until three and a half hours into it. Then, I could not believe that Diaz' poetic, sing-song-y, clear and strange moviemaking had kept me enthralled for that long. 

Until now, I have been afraid of Diaz and his films. My esteemed colleagues, all much more serious critics than I could ever aspire to be, have contrasting opinions. The length of Diaz' work is usually a turn off, with a film in competition two years ago here at Berlinale which latest nine hours. I repeat, NINE hours. No it's not a typo. Yet most cinema buffs have always found his work deeply inspiring and he garners awards like he makes films -- a lot!

Now I can safely say I am a Lav Diaz virgin no more, hurray! I sat through 'Season of the Devil' and enjoyed myself, found his film at once poignant and cool, his cinematography breathtaking and his ideas so profoundly quirky that the experience proved life changing for me. 

When you can walk out of a film knowing it has changed your life, that's when you know cinema has offered you its very best -- the ability to make of us better human beings. 

In Cinema, Festival, The Diaries Tags Hulu, Berlinale, Berlin, Berlin Film Festival, The Looming Tower, Lav Diaz, Season of the Devil, Filipino cinema, Philippines, opera, Black and White, Ali Suliman, Tawfeek Barhom, Samer Bisharat, Omar, Martin Schmidt, Ali Soufan, Alex Gibney, Jeff Daniels, Tahar Rahim, Peter Sarsgaard, 9/11, September 11th, East Africa, Middle East, Dan Futterman, Lawrence Wright, Manhattan, NYC, World Trade Center tragedy
← The Berlinale Diaries: Eric Khoo's 'Ramen Teh', Lav Diaz is my hero and the 'Pig' that's conquering BerlinaleThe Berlinale Diaries: Face to Face with German Films and 'Genesis' by Árpád Bogdán →
Post Archive
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • November 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • April 2020
  • February 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
 

Featured Posts

Featured
The Extrardinary Miss Flower review for E Nina Rothe.jpg
May 2, 2025
The power of one, letter: 'The Extraordinary Miss Flower' review
May 2, 2025
May 2, 2025
Most People Die on Sundays for ENinaRothe.jpg
Apr 28, 2025
To be young, gifted and... gay! A review of Iair Said's 'Most People Die on Sundays'
Apr 28, 2025
Apr 28, 2025
the-accountant-2-ben-affleck-jon-bernthal for ENinaRothe.jpg
Apr 25, 2025
I'll give you one, no make that 2 good reasons to watch 'The Accountant 2' with Ben Affleck
Apr 25, 2025
Apr 25, 2025
UnBroken_Weber_Siblings_Allied Forces_Bremerhaven_Germany_1946 for ENinaRothe.png
Apr 21, 2025
Courage decoded: Beth Lane's 'UnBroken' is the film you need to watch on Netflix
Apr 21, 2025
Apr 21, 2025
Olmo Schnabel's Pet Shop Days for ENinaRothe.jpg
Mar 12, 2025
Olmo Schnabel's 'Pet Shop Days', EP'd by Martin Scorsese to finally release in the US
Mar 12, 2025
Mar 12, 2025