• Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
Menu

E. Nina Rothe

Film. Fashion. Life.
  • Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
×

The Diaries, because sometimes life needs more. 

Fatma Hassan Alremaihi at Qumra 2024, courtesy of the DFI

The Qumra Diaries: I've landed in a place of inspiration

E. Nina Rothe March 1, 2024

It is always great to be in Doha for their annual industry meetings, yet this time it feels extra crucial and important — as cinema is what I turn to in order to heal and help understand the world around me.

Our world is broken. Let’s face it. The sooner we come to terms with that idea, the better it will be. Those who face their challenges without hiding or running away from them are able to tackle them head on.

Because what is happening, and has been happening between Israel and Palestine isn’t bad simply for one side or the other — depending on which side you find yourself on. It’s tragic for humanity. People are getting killed and that’s all I need to know to feel sorry for those who are losing their lives. I believe in communal karma, and I carry that weight at the moment, as we all do.

During the opening meet-and-greet of Qumra, Hanaa Issa, Director of Film Funding & Programmes, Strategy & Development, as well as Qumra Deputy Director at the Doha Film Institute, talked about her ten year old daughters and read a poem from a book of theirs titled Begin Again, written by Oliver Jeffers. The title of the poem, which the girls had previously read to Issa — and she donned a special heart pin they suggested she should wear while reading it — is ‘The Heart of It’.

“When you dig, deep enough, by asking the why behind the why enough times, you come to a truth, at the heart of it; that all people, no matter who they are, where they are from and what they believe, just want the same things: a den, a pack, a position and a direction.” Issa admitted that the poem got her thinking, “this is what we do here, at DFI,” with the projects they nurture and present, “they are just that, they dig and dig deep enough and they get to a heart — perhaps a common heart.”

I often come to Doha at a time during the year when my energy is at its lowest and Qumra somehow reboots it, like a giant battery plugged into my weary heart. I think this year it will be an even more challenging feat because I feel exhausted of hoping for the best only to witness the worst. But the buzz at the initial event in the courtyard of the Museum of Islamic Art and the way people connected with each other, in a special, intimate way, gives me hope. Yup, that hope that until I got on that plane to Doha yesterday seemed to have faded.

Welcoming over 200 industry experts and the talents associated with over 40 Qumra projects, Fatma Hassan Alremaihi, Chief Executive Officer of Doha Film Institute, and another crucial figure in the success of Qumra said: “Qumra is an extension of the Institute’s commitment to support promising filmmakers to overcome the various challenges of telling authentic stories. While we celebrate the progress that we have made in nurturing new voices in cinema, we are also confronted with the genocide in Gaza and the ongoing attempts to silence the voices crying out against it. This cultural genocide is a profound reminder of our responsibility as a global community to ensure that all voices are heard, and all lives are treated with dignity and respect.”

Qumra class of 2024, courtesy of the DFI

She continued: “While the situation continues to worsen in Palestine and countries throughout the region including Yemen, Lebanon, Sudan and Syria, providing a platform to acknowledge the courage and resilience of those fighting against oppression becomes even more important. The Doha Film Institute has always been and will remain dedicated to realising important stories and amplifying unheard voices that connect us in our shared humanity. We are proud to be on the journey with these bold and evocative projects that will impact our societies for years to come.”

Palestinian auteur Elia Suleiman, who is the DFI’s Artistic Advisor, also added: “Qumra offers the opportunity to ask what must be done to take responsibility, and a moral and ethical position on what films enable us to discuss about genocides, massacres and horrible violence around the world. Here we have the benefit of distance from what is going on [in the region]. It allows the questioning of what must be done in the context of storytelling, and in the context of asking cinematic questions as we tell our stories. This is the right time to contemplate, meditate and take a solemn moment but also start to converse and discuss aesthetics to somehow have some inspiration and creativity.”

Elia Suleiman, speaking at this year’s Qumra

He also offered some comic relief, which is how his films often work — jabbing with his cinematic fist the audience, pumping them full of his astute observations on human nature, only to tickle them later with their own issues. Suleiman talked about finally watching the film Barbie on the plane over.

“I have to say that in between the rice and chicken dinner, I was not able to follow all the nuances, because it’s so multilayered in its political correctness…” he said about the Greta Gerwig film, continuing, “at some point, because of lack of focus and concentration I couldn’t follow it through, and so I decided to quit it somewhere half way and, I think for the benefit of the film, to leave it kind of open ended.” I can hear myself laugh on the recording I grabbed to transcribe the quote correctly.

Suleiman gets it, because in that space where tears have lived for so long, since October 7th, there is now a hollow place which has been dug and which laughter alone can fill, so quickly and easily. Laughter is so very much needed at the moment, as the antidote to tears, so a reminder to self, not to feel guilty when I can feel it creeping up on me, that good guffaw.

Qumra continues through March 6th, in Msheireb and inside the Museum of Islamic Art in Doha. More on Toni Colette’s opening day Masterclass coming tomorrow, right here.

All images courtesy of the DFI, used with permission.

In The Diaries, Cinema Tags Toni Colette, Qumra, Doha Film Institute, Elia Suleiman, Museum of Islamic Art, Msheireb, Qatar, Fatma Hassan Alremaihi, Hanaa Issa, Oliver Jeffers, Begin Again, The Heart of It, Palestine, Israel
← The Qumra Diaries, on inspiration: rediscovering the soundtrack of 'Annette' in DohaA Berlinale Wrap Up: Dying, Doubt and a well deserved Diop win →
Post Archive
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • November 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • April 2020
  • February 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
 

Featured Posts

Featured
The Extrardinary Miss Flower review for E Nina Rothe.jpg
May 2, 2025
The power of one, letter: 'The Extraordinary Miss Flower' review
May 2, 2025
May 2, 2025
Most People Die on Sundays for ENinaRothe.jpg
Apr 28, 2025
To be young, gifted and... gay! A review of Iair Said's 'Most People Die on Sundays'
Apr 28, 2025
Apr 28, 2025
the-accountant-2-ben-affleck-jon-bernthal for ENinaRothe.jpg
Apr 25, 2025
I'll give you one, no make that 2 good reasons to watch 'The Accountant 2' with Ben Affleck
Apr 25, 2025
Apr 25, 2025
UnBroken_Weber_Siblings_Allied Forces_Bremerhaven_Germany_1946 for ENinaRothe.png
Apr 21, 2025
Courage decoded: Beth Lane's 'UnBroken' is the film you need to watch on Netflix
Apr 21, 2025
Apr 21, 2025
Olmo Schnabel's Pet Shop Days for ENinaRothe.jpg
Mar 12, 2025
Olmo Schnabel's 'Pet Shop Days', EP'd by Martin Scorsese to finally release in the US
Mar 12, 2025
Mar 12, 2025