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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Welcome to the first episode of The Culture Influential

E. Nina Rothe April 22, 2025

Starting right here, right now, I’m kicking off a podcast that brings together film and fashion in a brand new way, where you'll find yourself sitting in the room with celebrities and artists, for some cozy conversations. Cultural events and world affairs decoded, from Cannes to Venice to London and across the pond, to NYC. 

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In Cinema, Fashion, Festival, Interviews, Television, Art Tags The Culture Influential, Podcast, Qumra, Doha Film Institute, Qatar, Walter Salles, Lav Diaz, Darius Khondji, Cannes, Venice, London, fashion weeks, film festivals, DFI, Apple podcasts, Spotify
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Cannes' sidebars -- Critics' Week, Directors' Fortnight and ACID selections announced

E. Nina Rothe April 15, 2025

Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!

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In Cinema, Festival Tags Critics week, Cannes Film Festival, festival de Cannes, Quinzaine de Cineastes, Directors' Fortnight, ACID, Cannes, Harmony Korine, The President’s Cake, Hasan Hadi, Leah Chen Baker, Qumra, DFI, Doha Film Institute, Barry Jenkins, Dangerous Animals, Sean Byrne, Kokuho, Lee Sang-il, Eva Victor, Sorry Baby, Daniel Kaluuya, Guillermo Galoe, Sleepless City, Ciudad Sin Sueño, Spain, Iraq, Madrid, Kaouther Ben Hania, Sylvain George, Life After Siham, Namir Abdel Messeeh, Put Your Soul on Your Hand and Walk, Sepideh Farsi
Comment

Clockwise from left: Walter Salles, Anna Terrazas, Darius Khondji and Lav Diaz

Walter Salles, Lav Diaz and 'Roma' costume designer Anna Terrazas announced as Qumra Masters 2025

E. Nina Rothe February 25, 2025

The list for the upcoming edition also includes César and Academy Award nominated DoP Darius Khondji, and Hong Kong filmmaker Johnnie To Kei-Fung.

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In Cinema, Fashion, The Diaries Tags Lav Diaz, Darius Khondji, Hong Kong, Iran, Brazil, Johnnie To Kei-Fung, Qumra, Doha Film Institute, DFI, Walter Salles, Roma, Anna Terrazas, Oscar nominated
Comment

A still from ‘Aïcha’ by Mehdi Barsaoui, courtesy of The Party Film Sales

More to love from the Doha Film Institute at this year's Venice Film Fest

E. Nina Rothe August 20, 2024

This year there are 12 Doha Film Institute supported films in the lineup on the Lido, plus the DFI is hosting a special afternoon and even a gala dinner celebrating their achievements in the world of cinema and art.

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In Art, Cinema, Fashion, The Diaries Tags Doha Film Institute, Your ghosts are mine: Expanded Cinemas, Amplified Voices, Palazzo Franchetti, Venice International Film Festival, Aisha, Aisha Can’t Fly Away, DFI, Qumra, Media City Qatar, Majid Al-Remaihi, Shaima Al Tamimi, La Biennale di Venezia, Egypt, Jordan, Lebanon, Morocco, Palestine, Tunisia, Yemen, Fatma Hassan Alremaihi, Aïcha, Mehdi Barsaoui, Happy Holidays, Scandar Copti, Shadows, Rand Beiruty, Sudan Remember Us, Hind Meddeb, Orizzonti, Giornate degli Autori, Critics' Week, In This Darkness I See You, Nadim Tabet, My Father’s Scent, Mohamed Siam, Marie & Jolie, Erige Sehiri, The Station, Sara Ishaq, Theft of Fire, Amer Shomali
Comment

A still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI

The Cannes Diaries: Doha Dreaming with multiple DFI projects in the Cannes Official line up & Spring 2024 upcoming grants

E. Nina Rothe May 23, 2024

It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.

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In Cinema, The Diaries, Festival Tags Doha Film Institute, Qatar, DFI, H.E. Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, Rendez-vous avec Pol Pot, Rithy Panh, Cambodia, Qumra, Iréne Jacob, Grégoire Colin, Cyril Gueï, Cannes Film Festival, Critics' Week, The Brink of Dreams, Nada Riyadh and Ayman El Amir, KEFF, Locust, Taiwan, Morocco, Across the Sea, Saïd Hamich Benlarbi, Egypt, East of Noon, Hala Elkoussy, Mahdi Fleifel, To a Land Unknown, Erige Sehiri, Marie and Jolie, Joyce A. Nashawati, Sound of Silence, Venice Film Festival, Ameer Fakher Eldin, Yunan, Elia Suleiman, MENA region, Hanaa Issa, Fatma Hassan Alremaihi, Al-Dana, Nora Al-Subai, Running With Beasts, Leila Basma, Lebanon, Syria, The Settlement, Mohamed Rashad, Nomadish, Yassine Marco Marroccu, Agora, Ala Eddine Slim, Żejtune, Malta, Alex Camilleri, The Botanist, china, Jing Yi, Another Birth, Tajikistan, Isabelle Kalandar, Horizon, Colombia, César Augusto Acevedo, Tale of the Land, Indonesia, Loeloe Hendra, The Fin, South Korea, Syeyoung Park, Flying Elephants, Mona Khaouli, Munir Khauli, Just Like a Dream, Corine Shawi, Beirut, Road Trip, Linda Qibaa, Speak Image, Speak, Palestine, Pary El-Qalqili, Flower of the Sands, Jaouad Babili, Climbing the Mountains, Algeria, Sabrina Chebbi, She Was Not Alone, Iraq, Saudi Arabia, Hussein Al-Asadi, Those Who Watch Over, Karima Saidi, Ground Zero, collective shorts project, Moondove, Karim Kassem, Cutting Through Rocks, Iran, Sara Khaki and Mohammad Reza Eyni, Requiem for a Tribe, Marjan Khosravi, Badr on the Moon, Jordan, Aisha Al-Jaidah and Kholoud Al Ali, Film, TV Series, Web series, Last Words, Antoine Waked, Palmyra, Carol Mezher and Gabriela Flores, Rent-a-Mama, Dania Bdeir, New York, The Dry Kingdom, Dana J. Atrach, Echoes, Marie-Rose Osta, El'Sardines, Zoulikha Tahar, Before the Day Breaks, Amal Al-Muftah, If Only, Ali Al Anssari, Little Man, Hajri Gachouch, Salted Skins, Nicolas Fattouh, The Heaviness of Absence, Zizou, Jalal Maghout, Khaled Moeit, Maha Al-Thani, Eman, Please Pause, Lulwa Al-Thani, The Star, Ingrid El Zoghby, Another Day Shall Come, Aida Kaadan
Comment

A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes

The Cannes Diaries: Magical interviews, chance meetings and beautiful films

E. Nina Rothe May 19, 2024

There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.

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In Cinema, Festival, The Diaries Tags Alleno & Rivoire chocolate, festival de Cannes, Cannes Film Festival, The Cannes Diaries, RH Three, Golden Globes, The Girl with the Needle, Venice Film Festival, Croisette, KEFF, Locust, Taiwanese cinema, La Semaine de la Critique, Francis Ford Coppola, Megalopolis, Adam Driver, Giancarlo Esposito, Andrea Arnold, Bird, Barry Keoghan, Magnus van Horn, Vic Carmen Sonne, Trine Dyrholm, Un Certain Regard, Zambia, Rungano Nyoni, On Becoming a Guinea Fowl, Everybody Loves Touda, Nabil Ayouch, Doha Film Institute, Five Seas Hotel, DFI, Sebastian Sepulveda, Qumra, Elia Suleiman, Nina Rodriguez, Ali Khechen, Hanaa Issa, Fatma Hassan Al Remaihi, Cannes Premiere, Thierry Fremaux, Salle Debussy, Jean-Luc Godard, Rithy Panh, Rendez-Vous avec Pol Pot, Meeting with Pol Pot, Irene Jacob, Grégoire Colin, Leos Carax, C'est pas moi, Oscars, Academy Awards, Baby Annette, Annette, Denis Lavant, Bad Blood, Modern Love, David Bowie, Tom Hanks, Forrest Gump
Comment

Poster by Takeshi Kitano, titled, appropriately by the Japanese actor, writer, comedian, painter and director “Takeshi”

Cannes' Quinzaine and Semaine announce line ups

E. Nina Rothe April 18, 2024

And there are some must-watch films in there which cannot be missed.

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In Cinema, Festival, The Diaries Tags Directors' Fortnight, Critics' Week, Cannes, Festival de Cannes, Takeshi Kitano, This Life of Mine, Agnes Jaoui, Sophie Fillières, Christmas Eve In Miller’s Point, Michael Cera, Elsie Fisher, Maria Dizzia, Francesca Scorsese, Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Tyler Taormina, India Donaldson, Good One, Universal Language (Une Langue Universelle), Matthew Rankin, Tehran, Mahdi Fleifel, To a Land Unknown, Hala Elkoussy, East of Noon (Sharq 12), Locust, KEFF, Qumra, Doha Film Institute, Saïd Hamich Benlarbi, La mer au loin (Across the Sea), Adam Bessa, Ghose Trail, Jonathan Millet
Comment

The Qumra class of 2024, captured in the courtyard of the Museum of Islamic Art

The Qumra Diaries: the good, the bad and the overcrowded

E. Nina Rothe March 8, 2024

And no, I’m not talking about the bustling Souq Waqif on the eve of Ramadan!

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In Cinema, Festival, The Diaries Tags Qumra, Doha Film Institute, Qatar, Doha, Souq Waqif, Qatar Airways, Museum of Islamic Art, Damasca, Fiko, Msheireb Downtown Doha, National Museum of Qatar, Alain Ducasse Jiwan, Qatari cuisine, Desert Rose, Profiles Doha, Intaj 2023 exhibition, Youssef Chahine, Mohamed Malas, Kaouther Ben Hania, Soudade Kaadan, Ramadan, Mohammad malas
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The Qumra Diaries: Lessons from the Masters

E. Nina Rothe March 7, 2024

From violence in cinema, to not watching films at all once you’ve made one, there were shocking and cool revelations at this year’s DFI industry meet, featuring filmmakers Jim Sheridan, Leos Carax and more.

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In Art, Cinema, The Diaries Tags Atom Egoyan, Claire Denis, Leos Carax, Jim Sheridan, Palestine, Doha, Qatar, Industry, Richard Peña, Armenian genocide, ryuichi sakamoto, Martin Hernandez, Qumra, Maurice Ravel, Toni Collette, Ireland
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The Qumra Diaries, on inspiration: rediscovering the soundtrack of 'Annette' in Doha

E. Nina Rothe March 4, 2024

The power of music is undeniable. And no one harnesses it better than French filmmaker Leos Carax, one of the Qumra Masters at this year’s DFI industry event.

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In Art, Cinema, The Diaries Tags Leos Carax, Annette, Qumra, Doha Film Institute, Qatar, Amazon, Spotify
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Fatma Hassan Alremaihi at Qumra 2024, courtesy of the DFI

The Qumra Diaries: I've landed in a place of inspiration

E. Nina Rothe March 1, 2024

It is always great to be in Doha for their annual industry meetings, yet this time it feels extra crucial and important — as cinema is what I turn to in order to heal and help understand the world around me.

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In The Diaries, Cinema Tags Toni Colette, Qumra, Doha Film Institute, Elia Suleiman, Museum of Islamic Art, Msheireb, Qatar, Fatma Hassan Alremaihi, Hanaa Issa, Oliver Jeffers, Begin Again, The Heart of It, Palestine, Israel
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A still from ‘The land was well past its zenith’ by Rita Mahfouz

"We have to set our minds on how to create pockets of hope": Elia Suleiman on holding DFI's Qumra in these challenging times

E. Nina Rothe February 17, 2024

Plus actress and producer Toni Colette, is confirmed as the sixth 2024 Master for the upcoming tenth anniversary edition of the industry incubator and the participating projects are announced.

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In Cinema, Interviews, The Diaries Tags DFI, Doha Film Institute, Qumra, Elia Suleiman, Hanaa Issa, Alaa Eddine Aljem, Eldorado, The Taste of the South, To Leave or To Stay, Azedine Kasri, Mohammad Alchikho, Nora Al-Subai, Ahmad Saleh, Aisha Can’t Fly Away, Morad Mostafa, Roqia, Yanis Koussim, Across the Sea, Said Hamich Benlarbi, Aïcha, Mehdi Barsaoui, Ma, The Maw Naing, Perfumed with Mint, Muhammed Hamdy, Celebration, Bruno Anković, Locust, KEFF, House No 7, Rama Abdi, Hend Bakr, Dilpak Mated, Soufiane Adel, Lana Daher, Najba Nouri and Rasul Nouri, Ana Naomi de Sousa, Naseem, Fight With Grace, Mohammed Almughanni, Mayar Hamdan and Shaima Al Tamimi, The Myth of Mahmoud, Rawia Alhaq, Anas Saeed, Timmea Ahmed, Ibrahim Ahmad (Snoopy), Aurélia Makdessi, Niemeyer 4 Ever, Mehdi Hmili
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Jim Sheridan, Leos Carax, Claire Denis and more at Qumra for this year's DFI industry meet up

E. Nina Rothe February 6, 2024

Plus Atom Egoyan fresh from the Berlinale and Academy Award nominated sound designer Martín Hernández, all to give Masterclasses while in Qatar.

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In Cinema, The Diaries Tags Leos Carax, Elia Suleiman, Fatma Hassan Alremaihi, Doha Film Institute, DFI, Qumra, Qatar, Doha, Claire Denis, Atom Egoyan, Martin Hernandez, Jim Sheridan, Qumra Masters, True Detective Night Country, Amores Perros, Annette, Birdman, Alejandro G. Iñárritu, The Revenant, Holy Motors, Cannes Film Festival, Joan Dupont, Stars at Noon, Beau Travail, Silver Bear Berlinale, Seven Veils, TIFF, Sophie Toscan du Plantier, Palestine, David Merriman, Sophie, In the Name of the Father, The Boxer, Academy Awards, BAFTA, Qumra Projects, Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani
Comment

Mariëtte Rissenbeek and Carlo Chatrian announcing this year’s Competition & Encounters line up on Monday

All the latest Berlinale titles added to Competition and Encounters

E. Nina Rothe January 24, 2024

While many of us may be concentrating on the awards announcements, the Berlin Film Festival reminds us where it all starts from, and why these worldwide events are so important. Dare I say, more than the awards…

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In Cinema, Festival, The Diaries Tags Berlinale, Berlin Film Festival, Germany, Middle East, Mariëtte Rissenbeek, Carlo Chatrian, Golden Bear, Silver Bear, Meryam Joobeur, Who Do I Belong To, Tunisia, Qu, Qumra, Doha Film Institute, Nadim Cheikhrouha, Sarra Ben Hassen, Kaouther Ben Hania, Another End, Piero Messina, Gael Garcia Bernal, Berenice Bejo, Black Tea, Abderrahmane Sissako, La Cocina, Rooney Mara, Oded Fehr, Dahomey, Mati Diop, Hors du Temps, Olivier Assayas, Bruno Dumont, L'Empire, Lyna Khoudri, Yasmine Al Massri, Kiyoshi Kurosawa, The Stranger's Case, Omar Sy, Brandt Andersen, Aleppo, Riho Kudo, Chime, August my Heaven
Comment
A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

The Doha Film Institute's Qumra 2021 goes global with its virtual edition

E. Nina Rothe March 7, 2021

For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.

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In Cinema, The Diaries, Fashion Tags Doha Film Institute, DFI, Qumra, Mornings in Jenin, Annemarie Jacir, Palestine, Doha, Qatar, Claire Denis, James Gray, Jessica Hausner, Mark Mangini, Phedon Papamichael, Brigitte Lacombe, Yasmine Hamdan, Festival de Cannes, Variety, Fatma Hassan Alremaihi
Comment
A still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi

A still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi

Doha's Ajyal Film Festival: Erasing some of the common borders of the Middle East, for a youth centric audience

E. Nina Rothe November 17, 2020

I’ve long been a fan of everything that the Doha Film Institute has to offer. Their Qumra event is a phenomenal way to witness how filmmakers go about constructing their films, from pre-production to grants and securing funding to finish their projects. For a culture journalist, it’s a valuable way to experience, quite literally, how cinema is made.

But personally, the event that remains near and dear to my heart is always the Ajyal Film Festival.

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In Cinema, Festival, The Diaries Tags Iranian cinema, Doha Film Institute, Qatar, Covid-19, Ajyal Film Festival, youth, Qumra, DFI, Zoom, Yalda a Night for Forgiveness, Massoud Bakhshi, Sadaf Asgari, Behnaz Jafari, Sundance, Tehran, Iran, reality, 180º Rule, Farnoosh Samadi, TIFF, Toronto International Film Festival, Oscar, Academy Awards, Sun Children, Majid Majidi, child labor, Best International Feature Film, underdog, underage, Jafar Panahi, Dariush Mehrjui, Bahman Ghobadi
Comment
rome-film-fest-770x460.jpg

Lessons learned from cinema and beyond: a wrap-up of the Rome Film Festival

E. Nina Rothe November 7, 2019

There were films, fashion and public conversations with cinema celebrities. But beyond the red carpets, this year's Festa del cinema di Roma proved a meeting point for understanding the world around us, and sharing thoughts with like-minded people from faraway lands. Here is my personal diary of a wonderful event held in one of the most beautiful cities in the world.

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In Cinema, Festival, Fashion, The Diaries Tags John Travolta, Festa del cinema di Roma, Rome Film Festival, Roma, Greta Garbo, Martin Scorsese, Nicolas Bedos, Ron Howard, Edward Norton, Motherless Brooklyn, Bill Murray, Wes Anderson, Antonio Monda, Bret Easton Ellis, White, 1982, Oualid Mouaness, Qumra, Doha Film Institute, Arab cinema, Netflix, The Irishman, Filmuforia, The Best Is yet to come, Olivier Assayas, Getty images, Judy, Swarovksi, Laura Biagiotti, Ralph Lauren, Maria Tilli, Very Ralph, Viola Davis, Meryl Streep
La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

La Pointe courte © 1994 Agnès Varda and her children - Montage and design : Flore Maquin

The Cannes Film Festival unveils its poster which pays tribute to the late, great Agnès Varda

E. Nina Rothe April 15, 2019

As I learned at this year’s Qumra, held by the Doha Film Institute, the grand dame of French New Wave cinema Agnès Varda was all about finding the stories, the viewpoints that no one else would bother with. The Festival de Cannes, in its poster just unveiled for the 72nd edition of the festival, pays homage to La Varda but also to her indomitable spirit by showing the filmmaker on her first cinematic venture perched high up on a platform, atop the shoulders of a crew technician. She’s is looking to capture that image, that viewpoint which no one else would have even thought about. She is Varda, in all her perfectly humble and adventurous attitude. The same Varda who asked me, to my utter disbelief, if I’d liked her “little film” a few years ago in Cannes.

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In Cinema, Festival, The Diaries Tags Festival de Cannes, Cannes Film Festival, Agnes Varda, Qumra, Doha Film Institute, Cannes, French cinema, Jacques Demy, filmmakers, women filmmakers, Philippe Noiret, La Pointe Courte, Flore Maquin, Facebook, Twitter, Dailymotion, YouTube
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
Comment
Eugenio Caballero talks with Richard Peña during Qumra

Eugenio Caballero talks with Richard Peña during Qumra

The Qumra Diaries: Eugenio Caballero and Pawel Pawlikowski share their filmmaking wisdom

E. Nina Rothe March 18, 2019

When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.

Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.

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In Cinema, Interviews, The Diaries Tags Pawel Pawlikowski, Eugenio Caballero, Qumra, Doha Film Institute, DFI, Doha, Qatar, Agnes Varda, Richard Pena, Oscars, Academy Awards, The Woman in the Fifth, Last Resort, Ida, Cold War, England, Russia, Poland, Mexico, Ethan Hawke, Kristin Scott Thomas, documentaries, Art direction, Jim Jarmusch, Pan's Labyrinth, Guillermo del Toro, A Monster Calls, Alfonso Cuaron, Roma, The Limits of Control, Tsunami, The Impossible, Museum of Islamic Art
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