Amos Gitai has never been far from our thoughts, or out of cinematic radars, with a film premiering almost every year at major film festivals like Venice and Cannes -- now he's bringing his tryptic of films about a house in Jerusalem to the stage in Paris and to La Biennale Architettura 2023.
Read MoreThe Locarno Diaries: 'CoinCoin and the Extra-Humans', 'Yara' and 'M'
As I sat for breakfast this morning with Meredith Taylor, a fellow writer, she said something that struck me, because it's so true.
"Before I started coming to Locarno, I would look at their yellow and black logo and think, it must be a chic and exclusive festival for true film lovers." I paraphrase a bit but you get the message. In fact, coming personally to the Locarno Festival for the first time last year, I too felt that they constantly and continuously impressed me with the quality of the films they select, but also the incredible devotion the festival has to the cinematic art. It's true, it is chic -- I mean just look at Meg Ryan in her white dress against that backdrop on this website's Homepage -- it is exclusive, yet totally democratic and wonderfully interactive. The only thing that is requested for you to join this club too is a love, a true passion and devotion to cinema. Wow. What's there not to love in a festival like this?!
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