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E. Nina Rothe

Film. Fashion. Life.
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The Diaries, because sometimes life needs more. 

A still from 'M' by Yolande Zauberman, with Menahem Lang on the right

A still from 'M' by Yolande Zauberman, with Menahem Lang on the right

The Locarno Diaries: 'CoinCoin and the Extra-Humans', 'Yara' and 'M'

E. Nina Rothe August 9, 2018

As I sat for breakfast this morning with Meredith Taylor, a fellow writer, she said something that struck me, because it's so true.

"Before I started coming to Locarno, I would look at their yellow and black logo and think, it must be a chic and exclusive festival for true film lovers." I paraphrase a bit but you get the message. In fact, coming personally to the Locarno Festival for the first time last year, I too felt that they constantly and continuously impressed me with the quality of the films they select, but also the incredible devotion the festival has to the cinematic art. It's true, it is chic -- I mean just look at Meg Ryan in her white dress against that backdrop on this website's Homepage -- it is exclusive, yet totally democratic and wonderfully interactive. The only thing that is requested for you to join this club too is a love, a true passion and devotion to cinema. Wow. What's there not to love in a festival like this?!

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In Cinema, Festival, The Diaries Tags Coincoin et les z'inhumains, Coincoin And The Extra-humans, Bruno Dumont, Yara, Fausto, Andrea Bussmann, Locarno, Locarno Festival, ARTE, Lebanon, France, Abbas Fahdel, Bernard Pruvost, M, Menahem Lang, Tel Aviv, Yolande Zauberman
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A still from 'Ray & Liz' courtesy of Locarno Festival

A still from 'Ray & Liz' courtesy of Locarno Festival

The Locarno Diaries: 'Ray & Liz'', #Female Pleasure' and 'Likemeback'

E. Nina Rothe August 6, 2018

The greatest thing about the Locarno Festival is how accessible their venues are and how organic an experience watching great cinema becomes here. As author and filmmaker Emmanuel Carrère pointed out earlier, he is in Locarno on Jury duty, while at other festival you basically know what you can expect, here it's wonderful because the discoveries you make are completely unexpected.

Personally, I find it perfect to get up in the morning and catch the press screening of competition films at 9 a.m. at the Kursaal cinema and return there after lunch for more great things. Also sprinkled around town and culminating in the Piazza Grande screening each night, there are many wonderful films to be discovered. I mean, like Meg Ryan said during our public chat this past Saturday, the "Piazza Grande has 8,000 seats!" Now wrap your head around that.

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In Cinema, Festival, The Diaries Tags Ray & Liz, Locarno Festival, Locarno 71, #Female Pleasure, Likemeback, Leonardo Guerra Seràgnoli, Instagram, Italian cinema, Critics Week, Barbara Miller, Rome, Unorthodox, Japan, Somalia, India, Richard Billingham
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Meg Ryan with Carlo Chatrian, Artistic Director of the Locarno Festival

Meg Ryan with Carlo Chatrian, Artistic Director of the Locarno Festival

The Locarno Diaries: Meg Ryan, Meg Ryan, and yes, Meg Ryan!

E. Nina Rothe August 5, 2018

Yes. You read the title right. I didn't make a mistake, I meant it to read that way.

A bit of background first. I grew into my skin watching Meg Ryan's films. Notice I didn't say "grew up" because Ms. Ryan and I are from the same generation -- and yes, we look damn great! Thank you. But as I was saying, I discovered the America I always knew existed, I found love, I dumped love and moved on, I cried a lot in between, and all to the rhythm of Meg Ryan's movies. So when the Locarno Festival asked me to moderate a public Forum talk with the wondrous actress I said YES! And pinched myself a few times to make sure I wasn't dreaming.

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In Cinema, Festival, The Diaries Tags Meg Ryan, Locarno Festival, Carlo Chatrian, MeToo, When Harry Met Sally, Spazio Cinema
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Carlo Chatrian, artistic director of the Locarno Festival and Ted Hope

Carlo Chatrian, artistic director of the Locarno Festival and Ted Hope

The Locarno Diaries: Ted Hope, Bruno Dumont's vision and the luxury of pressing "pause"

E. Nina Rothe August 3, 2018

A great film festival for me is defined not only by the quality of films I get to watch but also the meetings and chance encounters that happen along the way. In a queue waiting for a film to start, sitting in the lobby of a hotel waiting for an interview and sometimes, just stopping for a whole hour or two in the midst of the hectic festival schedule makes all the sense in the world.

I tried this yesterday afternoon and went to visit a friend in the restaurant of The Belvedere hotel, a good while after lunch and as interview junkets were being conducted all around me. It turned out to be the best decision of the day.

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In Cinema, Festival, The Diaries Tags Locarno Festival, Locarno 71, Ted Hope, Bruno Dumont, Cannes, Amazon, Alejandro González Iñárritu, 21 Grams, Luca Guadagnino, Harvey Pekar, Suspiria, American Splendor, Ang Lee, The Wedding Banquet, Coincoin et les z'inhumains, Pardo d'Onore Manor, Jérémie Renier, Hotel Belvedere, film festivals, Coincoin And The Extra-humans, Alane Delhaye, Venice Film Festival, La Biennale di Venezia
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LF71-LEOlarge-POS.png

The Locarno Diaries: Women power, Courage with a capital "C" and a healthy dose of great cinema

E. Nina Rothe August 2, 2018

As I flew over to Milan to reach Locarno then by car over the Alps, I watched 'The Gospel According to André' on the plane -- the documentary about the grand fashion figure that is André Leon Talley. It was a perfect way to dive into the Locarno Festival since Talley's life has been all about courage and bold choices and this year's film festival is channeling that spirit exactly.

Also, as a woman I find solace at an event that kicks off with a press release announcing their commitment to sign the Programming Pledge for Parity and Inclusion in Cinema Festivals for parity and equality in the industry. Locarno will be the first festival after Cannes to commit to this pledge. So on August 5th at 9.45 a.m. Marco Solari, Locarno Festival President and Carla Speziali, Locarno Festival Vice President, will gather at the Spazio Forum to publicly and officially sign the initiative by SWAN, the Swiss Women’s Audiovisual Network, a sister movement to the French 5050x2020 campaign that took place on the steps of the Palais this May 2018 during the Cannes Film Festival.

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In Cinema, Festival, The Diaries Tags Tarde Para Morir Joven, Too Late to Die Young, Locarno Film Festival, Locarno Festival, Meg Ryan, E. Nina Rothe, Dominga Sotomayor, Violeta Brava, Doha Film Institute, Qumra, Qatar, Vianney Lebasque, Piazza Grande, Leo McCarey, Marco Solari, Carlo Chatrian, SWAN, Pledge for Parity and Inclusion, Switzerland, DFI
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