Plus, the latest projects by favorite filmmakers Lina Soualem, Murad Abu Eisheh, Cherien Dabis and Tala Hadid will be featured in this year’s prestigious sessions with selected projects in development and post-production from Morocco, Africa and the Arab world.
Read MoreFilm Africa 2024 is coming to London to celebrate the best of cinema from the continent
The festival, presented by The Royal African Society, will run from 25 October to 3 November during the UK’s celebration of Black History Month and will showcase the best of African cinema in Europe.
Read MoreMarrakech Atlas Workshops announces 25 projects participating in upcoming 6th edition
The films — hailing from 11 countries with 11 helmed by women filmmakers — include the highly anticipated ‘Motherhood’ by Meryam Joobeur, Tunisian filmmaker Ala Eddine Slim’s next project, and Erige Sehiri’s follow up to her critically acclaimed ‘Under the Fig Trees’.
Read MoreThe Venice Diaries: Forget what you've heard, this year's festival is all about women's stories!
So you may have read by now that the Venice Film Festival is being singled out for not having enough women filmmakers in their Competition line-up. One publication even went so far to criticize Italian culture as a whole, and they used two non-Italian reporters to write the story of course -- one the token male journalist. Because a single, lone, able woman journalist would not have been able to do the job?
Ever hear that saying "don't talk bad about my mama?"
Anyway, while everyone is up in arms for yet another slight at womanhood, I say, get over it! I'm a woman, I'm Italian and I feel very well represented in Venice -- thank you very much. In fact, I have never seen so many beautiful women's stories, so much truth for our gender and so much care in telling those stories as I see in the various line-ups and sidebars this year at La Biennale del Cinema. But of course, you'd have to look beyond the media-selling headlines, watch deeper, dig in the sidebars too and know in your heart that great cinema was never about gender, rather about quality and vision. Just like it ain't about politics, even when the subject is political.
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