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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Vincent Lacoste and Isaure Multrier in 'Amanda' by Mikhaël Hers

Vincent Lacoste and Isaure Multrier in 'Amanda' by Mikhaël Hers

The Venice Diaries: Stacy Martin and Vincent Lacoste redefine family in Mikhaël Hers' 'Amanda'

E. Nina Rothe September 6, 2018

I'm a sucker for a great love story. But often, the films that hit me deepest aren't filled with happily ever after endings and the perfect romance between a handsome boy and a beautiful girl. It's the redefinition of true love that gets me to my core.

In Mikhaël Hers' latest 'Amanda' which premiered in the Orizzonti section at this year's Venice Film Festival, the filmmaker reworks the idea of family and in the process, also rewrites the perfect romance. Of course Hers' film is not missing out on a handsome boy -- the charming Vincent Lacoste breaks hearts as David -- and a pretty girl -- with the striking Stacy Martin playing his love interest Léna. But at the center of 'Amanda' is the title character, a little girl played beautifully by Isaure Multrier, a child who suddenly goes from being an occasional playmate in the life of her somewhat immature uncle David, to being entrusted to him permanently. 

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In Cinema, Festival, Interviews, The Diaries Tags Amanda, Mikhaël Hers, Vincent Lacoste, Stacy Martin, Venice 75, Venice Film Festival, La Biennale di Venezia, Orizzonti, Lars Von Trier, Matteo Garrone, Isaure Multrier
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'Joy' by Sudabeh Mortezai, featuring Joy Anwulika Alphonsus 

'Joy' by Sudabeh Mortezai, featuring Joy Anwulika Alphonsus 

The Venice Diaries: Forget what you've heard, this year's festival is all about women's stories!

E. Nina Rothe August 27, 2018

So you may have read by now that the Venice Film Festival is being singled out for not having enough women filmmakers in their Competition line-up. One publication even went so far to criticize Italian culture as a whole, and they used two non-Italian reporters to write the story of course -- one the token male journalist. Because a single, lone, able woman journalist would not have been able to do the job?

Ever hear that saying "don't talk bad about my mama?" 

Anyway, while everyone is up in arms for yet another slight at womanhood, I say, get over it! I'm a woman, I'm Italian and I feel very well represented in Venice -- thank you very much. In fact, I have never seen so many beautiful women's stories, so much truth for our gender and so much care in telling those stories as I see in the various line-ups and sidebars this year at La Biennale del Cinema. But of course, you'd have to look beyond the media-selling headlines, watch deeper, dig in the sidebars too and know in your heart that great cinema was never about gender, rather about quality and vision. Just like it ain't about politics, even when the subject is political.

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In Cinema, Festival, The Diaries Tags women's stories, Venice Film Festival, La Biennale di Venezia, Competition, Orizzonti, Giornate degli Autori, French cinema, Indian cinema, Nigeria, Alberto Barbera, Joy, Sudabeh Mortezai, Joy Anwulika Alphonsus, Benin City, Africa, modern-day slavery, Europe, Human trafficking, freedom, Pearl, Elsa Amiel, Julia Föry, bodybuilders, female bodybuilders, Lea Pearl, Amanda, Mikhael Hers, Vincent Lacoste, Isaure Multrier, Memory Lane, Paris, terrorism, Soni, Ivan Ayr, India, Delhi, policewomen, Geetika Vidya Ohlyan
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