The day started with a long, leisurely talk with Algerian-Brazilian, NYC-based filmmaker Karim Aïnouz and the two men who are the center of his latest film, 'Central Airport THF' -- Ibrahim Al Hussein from Syria and Qutaiba Nafea from Iraq. I won't talk about the film itself until it premieres tonight since the festival here in Berlin is quite strict about embargoes and more power to them for that! But I will say that some films really grow more special and important once the intention of their filmmaker becomes clear. In simpler words, sitting down with Aïnouz made his latest project wildly more interesting, because of who he is but also because of his subjects' backstories -- both refugees who are in Germany after escaping from their war-torn countries.
Read MoreThe Berlinale Diaries: I Love Dogs -- AKA Wes Anderson's 'Isle of Dogs' is finally here (and not a moment too soon!)
A movie festival is nothing without films and I kicked off my first full day at Berlinale by watching Wes Anderson's animated treasure 'Isle of Dogs' featuring puppets like you've never seen them before, beloved actors giving voices to fantastical dogs and a message of humanity hidden within a film that is so darn entertaining to watch, I may have to go back for seconds. Or thirds even. I know you've heard me talk like this before, but this time I mean it in a whole new and different way: If I went home today, I'd be happy, after watching 'Isle of Dogs'.
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