This year’s Golden Globes ceremony was an affair to be remembered.
Read MoreThe Venice Diaries: Rick Alverson's 'The Mountain' shows us the perils of an American "antiseptic utopia"
Filmmaker Rick Alverson has never made films that are easily comprehensible to an audience. His work is the antithesis to the American superhero movie. From his first work 'The Builder' in 2010 he's proudly yet quietly worn the "independent filmmaker" badge of American moviemakers. In the tradition of greats like Dennis Hopper and John Cassavetes who came before him.
In his latest film 'The Mountain' which premiered in Competition at this year's Venice Film Festival, Alverson throws the audience a proverbial bone. What I mean is that 'The Mountain', starring Jeff Goldblum and Tye Sheridan, is as close to a traditional film as we will ever get from Alverson. While he still describes it as "an anti-utopian film" in his director's statement, 'The Mountain' takes the audience through a hippie trippy ride on a sparse, pastel hued rollercoaster with few words, great acting, haunting images and sounds and by the end, leaves us feeling lobotomizes. I could swear the entire crowd of the Sala Darsena, where the press and industry screening took place the day before the film's official premiere, walked out with a very specific look on their faces. Not unlike that of the leading character of Andy, played by Sheridan.
Read MoreThe Berlinale Diaries: Karim Aïnouz, Jeff Goldblum, Bill Murray, Bob Balaban, Bryan Cranston and Liev Schreiber, oh boy!
The day started with a long, leisurely talk with Algerian-Brazilian, NYC-based filmmaker Karim Aïnouz and the two men who are the center of his latest film, 'Central Airport THF' -- Ibrahim Al Hussein from Syria and Qutaiba Nafea from Iraq. I won't talk about the film itself until it premieres tonight since the festival here in Berlin is quite strict about embargoes and more power to them for that! But I will say that some films really grow more special and important once the intention of their filmmaker becomes clear. In simpler words, sitting down with Aïnouz made his latest project wildly more interesting, because of who he is but also because of his subjects' backstories -- both refugees who are in Germany after escaping from their war-torn countries.
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