My third and last day of Pitti Uomo 93, Fall/Winter 2018-19 collections held some surprises. Most were pleasant, welcomed discoveries of designers who hadn’t been on my radar, and now forever more will be. Yet one, at the very end of the day was a disturbing reminder that the #MeToo movement needs to evolve, and include models, young men and children. If we don’t protect every victims — not just the attractive women stars of Hollywood who are looking for a second wind in their career — we are failing allthe injured.
Read MoreThe Pitti Uomo 93 Diaries: Eton’s Kyoto Anywhere, Concept Korea and Les Benjamins at the Pyramids
On my second full day of Pitti Uomo, I went on a journey eastward to Egypt, Korea and Japan, thanks to the vision and wit of four fashion brands.
I’ll start with Eton, because for me Pitti Uomo always begins with Eton. The Swedish shirt brand has become synonymous with fashion with a conscience, and a symbol of how great ethics and cool designs can make for a powerful, winning combination in today’s market. While some designers with attitudes, and their ungrateful PRs can create attention for almost anything for a season or two before disappearing into oblivion, these days it’s with principles and great artistic vision that fashion houses thrive, time and time again. The inclusive atmosphere I experienced at the Gucci Garden launch party here in Florence only confirmed my theory.
Read MoreThe Pitti Uomo 93 Diaries: Light, Camera... Fashion!
Fashion has become the most affordable of art forms. We could all wear a piece of Christian Lacroix while he designed for Spanish brand Desigual and even typically untouchable Christian Dior features a few knick-knacks under $200 in their current collection, courtesy of artistic director Maria Grazia Chiuri — whose streetwise styles have reinvigorated the Maison.
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