A yearly appointment at the Venice Film Festival, fashion brand Miu Miu, also a Creative Partner of Giornate degli Autori, has once again sponsored two women filmmakers in the creation of a short film each, about women and their world; the shorts will screened during the upcoming festival, with their directors and casts in attendance.
Read MoreThe Venice Diaries: Rick Alverson's 'The Mountain' shows us the perils of an American "antiseptic utopia"
Filmmaker Rick Alverson has never made films that are easily comprehensible to an audience. His work is the antithesis to the American superhero movie. From his first work 'The Builder' in 2010 he's proudly yet quietly worn the "independent filmmaker" badge of American moviemakers. In the tradition of greats like Dennis Hopper and John Cassavetes who came before him.
In his latest film 'The Mountain' which premiered in Competition at this year's Venice Film Festival, Alverson throws the audience a proverbial bone. What I mean is that 'The Mountain', starring Jeff Goldblum and Tye Sheridan, is as close to a traditional film as we will ever get from Alverson. While he still describes it as "an anti-utopian film" in his director's statement, 'The Mountain' takes the audience through a hippie trippy ride on a sparse, pastel hued rollercoaster with few words, great acting, haunting images and sounds and by the end, leaves us feeling lobotomizes. I could swear the entire crowd of the Sala Darsena, where the press and industry screening took place the day before the film's official premiere, walked out with a very specific look on their faces. Not unlike that of the leading character of Andy, played by Sheridan.
Read MoreThe Pitti Uomo 93 Diaries: M1992’s Paninaro Reinvented, Magliano’s Everyday Rockstar and ‘The Day The World Went Away’
My third and last day of Pitti Uomo 93, Fall/Winter 2018-19 collections held some surprises. Most were pleasant, welcomed discoveries of designers who hadn’t been on my radar, and now forever more will be. Yet one, at the very end of the day was a disturbing reminder that the #MeToo movement needs to evolve, and include models, young men and children. If we don’t protect every victims — not just the attractive women stars of Hollywood who are looking for a second wind in their career — we are failing allthe injured.
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