Earlier last week, onstage, John Travolta appeared at ease, elegant and way younger than his 65 years. I mean, all newly bald headed and such, still how does he do it?? Maybe it was the leather jacket, maybe his calm demeanor and philosophy of life or maybe just his contentment at being a superstar — and obviously loving it! There is none of that tormented famous person attitude, or apologizing for having become a household name so young. No, Travolta is the actor and the actor is the superstar — no apologies needed or required.
Read More“Being a woman I see as a great advantage”: Lucrecia Martel on ‘Zama’, Quentin Tarantino and Avoiding Gender Violence in Films
While I interview Argentinian filmmaker Lucrecia Martel in Venice I can’t help but feel incredibly vulnerable. For one, I started writing about cinema and attending film festivals after her previous film ‘The Headless Woman’ was presented at the Cannes Film Festival in 2008. And I never had a chance to watch either ‘The Holy Girl’ or ‘La Ciénaga’ before that. So I’m a Martel virgin going into her latest ‘Zama’.
But mostly, I feel unguarded, bare in the presence of this quietly powerful woman. She is a filmmaker, an artist, an undeniable trendsetter — Martel smokes a cigar during our interview and of course, there are those trademark cool glasses she wears — but she is first and foremost a formidable woman. I gush constantly and I’ll admit hearing myself on tape to transcribe our interview afterwards is painful.
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