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E. Nina Rothe

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In-depth interviews and casual chats with the personalities and influencers of today, yesterday and tomorrow.

Photo courtesy of La Biennale di Venezia

Photo courtesy of La Biennale di Venezia

“Being a woman I see as a great advantage”: Lucrecia Martel on ‘Zama’, Quentin Tarantino and Avoiding Gender Violence in Films

E. Nina Rothe April 7, 2018

While I interview Argentinian filmmaker Lucrecia Martel in Venice I can’t help but feel incredibly vulnerable. For one, I started writing about cinema and attending film festivals after her previous film ‘The Headless Woman’ was presented at the Cannes Film Festival in 2008. And I never had a chance to watch either ‘The Holy Girl’ or ‘La Ciénaga’ before that. So I’m a Martel virgin going into her latest ‘Zama’.

But mostly, I feel unguarded, bare in the presence of this quietly powerful woman. She is a filmmaker, an artist, an undeniable trendsetter — Martel smokes a cigar during our interview and of course, there are those trademark cool glasses she wears — but she is first and foremost a formidable woman. I gush constantly and I’ll admit hearing myself on tape to transcribe our interview afterwards is painful.

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In Festivals, Interviews, Movies Tags Lucrecia Martel, Zama, IFC Center, Film Society of Lincoln Center, Laemmle Royal Theater, NYC, Los Angeles, Venice Film Festival, La Biennale di Venezia, Argentina, women filmmakers, Come and See, George Clooney, Pulp Fiction, Quentin Tarantino, Antonio di Benedetto, Kathryn Bigelow, Latin America, The Headless Woman, La Cienaga, The Holy Girl, New York, Variety, Strand Distribution
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