Nanni Moretti, left, in a scene from ‘We Have a Pope’
A couple of days ago I revisited my profile of Italian filmmaker Nanni Moretti from 2012. Today I want to share the interview that took flying across the oceans and organizing with patience and care to secure.
Read More
Back in 2012, I met Nanni Moretti in his office, and the meeting changed my life. Forever. Moretti has that power, to change the course of things with his cinema. I’d watched ‘We Have a Pope’ in Abu Dhabi and not long after, I decided I needed to meet him face to face. In person, he was what he is in the movies. Nothing more, nothing less. Cranky, at times mean, and then, once I’d slammed my fist onto his desk because he wasn’t paying attention to my questions, he became a talkative, kind and attentive interview.
Read More
Locarno 2017
Now, in the moment when we would have needed him most, Irrfan Khan has left us. He’s gone. He had been ill for the last couple of years and yet, just as with all those we deeply love and are deserving of that love, his passing was unexpected. Unwarranted. Unwanted. HIs words won’t get us out of this funk now.
Read More
Do you believe in magic? I do, because I have experienced it inside the home of master illustrator Eduard Erlikh.
On a particularly chilly NYC afternoon, I step into his building after the chaos of downtown, and then out of his private elevator. I'm instantaneously transported to another world: a minimalistic, fairy-tale land where things harmoniously sit where they belong, objects in different shades of pigment blend in creative and complimentary combinations and space does not appear to be at the typical premium it is in the Big Apple.
Read More
Abel founder Frances Shoemack
At the moment, most of us find ourselves observing “Social Distancing”. But even at a yard from each other, don’t we wish to be remembered for how delicious we smelled, not how poorly?
So I’m revisiting this interview from 2017 with Frances Shoemack of Abel, a beautiful brand with a selection of delicious scents, you can find online here.
Read More
Photo by Donald Sorrie
It takes a lot to make New Yorkers come out on a chilly, rainy February school night. Yet the Secret Room, a cool, copper piped themed club in a basement on Eighth Avenue, just steps away from Times Square, was jam packed this past Monday night. Everyone was buzzing with excitement as we waited to watch and listen to the talents that would assemble on stage to perform “Love and Other Feelings at the Hidden Cabaret”.
I was there to watch Stephen Miller’s return to the stage, after 20 years spent on the producing side and in academia. Miller is a wondrous man with a taste of sequin jackets that highlight his tall frame. His boyish smile and confident stance complete the magic of this performer who was clearly born to be on a stage. The Hidden Cabaret proved that.
Read More
Sitting down with Stanley Tucci naturally turned into a highlight of my 2017 Berlinale festival experience but I have to say his beautifully shot and sublimely acted film ‘Final Portrait’ keeps finding new nooks and crannies inside my thoughts and now, even a permanent place in my heart.
Read More
Filmmaker Rithy Panh in Qatar, photo courtesy of the Doha Film Institute
Meeting Cambodian documentary filmmaker Rithy Panh in Doha, during their annual Qumra event, was a real treat for someone who believes in the power of cinema with a conscience. Apart from the Doha Film Institute's wonderful meeting of talents held within the Souq Waqif and inside the Museum of Islamic Art each March and now in its fifth edition, Panh's presence felt historic. He was a Qumra Master in 2017, came back to teach a short documentary lab at the Institute in the summer of 2018, and now is back as a Mentor -- patiently watching works in progress and meeting with filmmakers to share his wisdom.
Read More
Back in 2012, I met Egyptian superstar Khaled El Nabawy at the Abu Dhabi Film Festival. He was there with an Arab-American co-production and we sat down with his director and co-star during a sun filled afternoon, in an empty coffee shop inside the Emirates Palace hotel. It was an otherworldly moment that heralded the start of a beautiful friendship.
Read More
Sir Patrick Stewart at the Dubai International Film Festival, photo by Getty Images courtesy of DIFF
It is obvious upon first meeting him that Sir Patrick Stewart is a man of contradictions. The young boy born in Mirfield who grew up in a poor household in Jarrow fraught with domestic violence is now an elegant gentleman at once stoic and kind. His proper Queen’s English is what one notices at once, making all attempts by this journalist to sound intelligent in his presence invalid. And yet Stewart admits that in his youth “you wouldn’t have understood me if you heard me talk, I spoke with not just an accent — we had a dialect, so we used other words as well.” He proceeds to make an example which of course, sounds like he’s speaking a foreign tongue, not even English anymore.
Read More
He is the officially retired Professor X from the Wolverine series, Captain Picard in ‘Star Trek’ and now the CBS spin-off ‘Star Trek: Picard’. He has been a Shakespearean actor as well as Poop Daddy in ‘The Emoji Movie’ — I guess you could call Sir Patrick Stewart versatile.
Read More
In 2016 I caught up with Academy Award winning composer Gabriel Yared. This year, at the Rome Film Festival, I was awed by his background music for ‘Judy’ — the film which might garner Renee Zellweger an Oscar. His notes take us, the audience, through the later part of Judy Garland’s life and into her inner struggles. They are subtly unobtrusive, just as a background score should be. And that’s the genius of Yared’s work. Please read on for the original interview, published in the HuffPost.
Read More
This month, the Criterion Channel is programming ‘Songs My Brothers Taught Me’, the debut feature by wondrous filmmaker Chloé Zhao. I got to interview her in Cannes for her second feature ‘The Rider’ and it was published originally on the HuffPost. Here it is now, a bit shortened and re-edited. And don’t forget to watch ‘Songs My Brothers Taught Me’ on January 15th.
Read More
I find that there is a leitmotif running through three-time Oscar nominated filmmaker Rachid Bouchareb’s work. It’s the idea that peace is fragile, no matter how idyllic the setting of your life, there could always be something threatening to invade it, to destroy the status quo.
Read More
Premiering just the the new year and decade begin next week, BBC’s ‘Dracula’ starring Claes Bang promises to be quite the thrill. It’s from the makers of the cool ‘Sherlock’ which starred Benedict Cumberbatch and turned the English sleuth into a sex symbol for many of us.
Read More
A long time ago, in a galaxy far far away, I met and got to know TV and movie star Alexander Siddig. Recently, I got to watch him in what is his most terrifying interpretation as Ahmed Suidani in Netflix’ ‘The Spy’. As much as I loved him as the romantic lead and even the wondrous father who loves at all costs — see the interview below — I must admit that Suidani suits Siddig to a “T”. Please watch the series if you haven’t already.
Following is an interview from those many moons ago when Siddig, Sid to his friends, played Miral’s father, in Julian Schnabel’s beautiful film — one I’ll always defend to the victory. One day, maybe, possibly, I’ll tell the whole story of this fascinating human being. But maybe not, as some things are better left unsaid. And unwritten.
Read More
Olivier Assayas at the Rome Film Festival -- Photo by Ernesto S. Ruscio/Getty Images courtesy of the Rome Film Festival
Olivier Assayas is a filmmaker who also happened to have been a film critic. He's a French auteur who also spoke to journalists in perfect Italian while at the recent Rome Film Festival. He is a man born in the mid-50's who looks and dresses like he could be 40-something, as well as a revered name in world cinema who admits that film students today have created their own relationship with movies thanks to the internet. He makes for a fascinating read.
Read More
John Travolta, photo courtesy of the Rome Film Festival
Earlier last week, onstage, John Travolta appeared at ease, elegant and way younger than his 65 years. I mean, all newly bald headed and such, still how does he do it?? Maybe it was the leather jacket, maybe his calm demeanor and philosophy of life or maybe just his contentment at being a superstar — and obviously loving it! There is none of that tormented famous person attitude, or apologizing for having become a household name so young. No, Travolta is the actor and the actor is the superstar — no apologies needed or required.
Read More
Photo by © Stephane Cardinale, courtesy of the Marrakech International Film Festival
There is one actor who has been able to give me goosebumps throughout my life and his career — it’s Robert Redford. And the love I have for his work doesn’t stop at him as screen star either. As a not-quite-yet teenager in Florence, Italy I went to watch ‘Ordinary People’ 14 times at the movies. I remember because my parents thought it had been enough on number 13 but I didn’t want that number looming over my viewing and threw a tantrum until they finally drove me to watch it the 14th time. I dragged a few of my friends, and each drew the line at the second viewing. But to me, that film represents part of the cinematic soundtrack of my youth.
Read More
It was all hush hush. Rome Film Festival artistic director Antonio Monda came to greet us at the press screening of the opening film, Edward Norton’s ‘Motherless Brooklyn’ where he told us Ethan Coen didn’t want to give a press conference prior to his encounter with the public. Why? Because the subject and theme of his conversation was a secret worthy of, it seemed, J. Edgar Hoover’s FBI.
So, I waited. I wondered and imagined that Coen, one half of the wondrous brother duo that makes those incredible films full of humor and human tragedy — I’m talking about Ethan and Joel Coen of course — would make the wait worth while and introduce us, the audience, to something utterly wild. And when it came time for his public talk, he did.
Read More