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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from ‘The Translator’ directed by Anas Khalaf and Rana Kazkaz

A still from ‘The Translator’ directed by Anas Khalaf and Rana Kazkaz

The Uncertainty of Everything: 'The Translator' by Rana Kazkaz and Anas Khalaf at Tallinn Black Nights

E. Nina Rothe November 28, 2020

While there have been loads of documentaries about Syria and its place in the Arab Spring revolutions of 2011, no narrative film has even come close to the way ‘The Translator’ tells the story. A complete story that goes as far back as the first Syrian revolts in 1980 under Bashar al-Assad’s father, Hafez which resulted in the Hama massacre in 1982. The filmmakers telling this spellbinding story are husband and wife team Anas Khalaf and Rana Kazkaz, both multi-hyphenated nationalities but at the center of it all, Syrian. Because let’s face it, there are currently many more Syrian living spread out around the world than in Syria itself.

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In Film, Film Festivals, review Tags The Translator, Rana Kazkaz, Anas Khalaf, Syria, Arab Spring, Damascus, Bashar al-Assad, Hafez al-Assad, Australia, Ziad Bakri, Sydney Olympics, Miranda Tapsell, David Field, TIFF, Toronto International Film Festival, Tallinn Black Nights Film Festival, Vimeo Premium, Mare Nostrum, Carlos Chahine, Ramzi Maqdisi, Annemarie Jacir, Magali Negroni, Eric Devin, Catherine Cosme
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