• Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
Menu

E. Nina Rothe

Film. Fashion. Life.
  • Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
×

Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from ‘The Translator’ directed by Anas Khalaf and Rana Kazkaz

A still from ‘The Translator’ directed by Anas Khalaf and Rana Kazkaz

The Uncertainty of Everything: 'The Translator' by Rana Kazkaz and Anas Khalaf at Tallinn Black Nights

E. Nina Rothe November 28, 2020

The relationship with our own home countries is often problematic. Take the American pride at the time of the Trump presidency, or the usual British worldliness at the crossroads of Brexit.

But when the homeland happens to be Syria, the stakes multiply and that citizen/country relationship becomes a dance — of death, of survival, of love and hate. Sometimes all at once.

While there have been loads of documentaries about Syria and its place in the Arab Spring revolutions of 2011, no narrative film has even come close to the way ‘The Translator’ tells the story. A complete story that goes as far back as the first Syrian revolts in 1980 under Bashar al-Assad’s father, Hafez which resulted in the Hama massacre in 1982. The filmmakers behind this spellbinding film are husband and wife team Anas Khalaf and Rana Kazkaz, both possessing multi-hyphenated nationalities but at the center of it all, Syrian. Because let’s face it, there are currently many more Syrians living spread out around the world than in Syria itself.

The story of ‘The Translator’ begins in modern-day Australia with one such Syrian emigrant, Sami, played by the haunting Ziad Bakri. Those who know and love the Bakri dynasty of actors, will also find a cameo by older brother Saleh as a treat. But this comes later… We learn that Sami is the son of an iconic freedom fighter (played by maverick film producer Ossama Bawardi in another of many lovely cameo roles) who was arrested and disappeared during the 1980 revolts. We also slowly find out, through little bits of information here and there that Sami misspoke during one of his translating trips, at the Sydney Olympics in 2000, thus having to resettle in Australia.

When Sami gets word in the spring of 2011 that his brother Zaid (Saleh Bakri — told you!) has also disappeared, in much the same manner as his father, he leaves his future wife, attorney Julie (played by one of my favorite Australian actresses ever, Miranda Tapsell) and travels with his friend Chase (David Field) to Damascus. Needless to say, neither the trip nor the arrival go well and Sami is thrust into a battle for survival, but also a clash of conscience with himself and those who stayed behind.

THE TRANSLATOR_100x130_DEF_HDSTDC.jpg

At the center of ‘The Translator’ is a touching, really poignant examination of the theme of belonging, and non-belonging. What happens to someone when they leave their homeland? Does that place also cease to feel like home, and where is home anyway? For many, millions of us who have trekked to another world in our lifetimes, it’s an endless question we ask ourselves but also grapple with around our indigenous friends. Although meeting those who belong to the same country from birth has become increasingly a rarity. In ‘The Translator’ the most interesting clashes are between Sami and tried and true Syrian Karma, exactly for this reason.

The film was born out of the idea of belonging to and supporting a motherland, as the filmmakers disclosed in their press kit interview. “We did not participate in the peaceful demonstrations that took place at the beginning of the Syrian revolution. Although we supported the demonstrators, we did not lend our voice. We were afraid to. Afraid to be arrested, tortured or killed. Although we are Syrian and were living in Damascus at the time, we grew up in France and the US. We had passports that afforded us the privilege of leaving the country whenever we wished. The realization of this for us is ugly. It's real, but humiliating. And although we fully recognize that making a film about the revolution pales in comparison to those who risked their lives to participate, this film nonetheless represents the need to testify. Our main character, Sami, is not unlike ourselves.”

The greatness of ‘The Translator’ lies in its honesty. We truly care about Sami, and what happens to him could turn out to be a revolutionary’s son’s worst nightmare. But we cannot forget that these are Syrian filmmakers and thus, courage will be part of their ending. I’m not giving anything away by simply pointing that out.

Its shortcoming is what afflicts every Syrian film after 2012 — the lack of Syria in its landscapes. While I couldn’t find out for sure where the production was filmed (well, not the Australian scenes which clearly showed Sydney landscapes) it felt like Amman or somewhere in Jordan or even Lebanon stood in for Damascus and Syria. But DoP Éric Devin and production designer Catherine Cosme definitely did a beautiful job to make us believe this was exactly where we were supposed to be.

Considering ‘The Translator’ is the feature debut for both Khalaf and Kazkaz, this is one impressive feat. Even callous film critics have pointed to the mastery of their story construction, which is the result of the couple’s collaboration with French writer and director Magali Negroni.

The greatest feeling a film can inspire is curiosity and ‘The Translator’ made me research dates, find out about the regimes I thought I already knew so much about and all around, made me inquisitive about the events described. The string of wonderful actors, both cameos such as Palestinian filmmaker Annemarie Jacir and by professional powerhouses like the instantly recognizable Ramzi Maqdisi as Moneeb — the boxer whose words Sami mis-translated during the Olympics — are a treat for world cinema lovers. But also seeing actor and filmmaker Carlos Chahine once again on the screen, whose hypnotic portrayal of a character simply called “the General” makes the ending of ‘The Translator’ one I shall not soon forget.

If you wish to get acquainted with the filmmakers’ previous and wonderful short film ‘Mare Nostrum’, check it out on Vimeo Premium.

‘The Translator’ premiered at this year’s Toronto International Film Festival and played in the 2020 Tallinn Black Nights Film Festival which ran from the 13th to the 29th of November.

In Film, Film Festivals, review Tags The Translator, Rana Kazkaz, Anas Khalaf, Syria, Arab Spring, Damascus, Bashar al-Assad, Hafez al-Assad, Australia, Ziad Bakri, Sydney Olympics, Miranda Tapsell, David Field, TIFF, Toronto International Film Festival, Tallinn Black Nights Film Festival, Vimeo Premium, Mare Nostrum, Carlos Chahine, Ramzi Maqdisi, Annemarie Jacir, Magali Negroni, Eric Devin, Catherine Cosme
← 'The Dissident' by Bryan Fogel: Everything you need to know on the murder of a journalist. Or is it?Love and marriage, plus fatherhood: 'Ghosts of the République' explores a same-sex couple's trials to have a baby →
Post Archive
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • November 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • April 2020
  • February 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
 

Featured Posts

Featured
The Extrardinary Miss Flower review for E Nina Rothe.jpg
May 2, 2025
The power of one, letter: 'The Extraordinary Miss Flower' review
May 2, 2025
May 2, 2025
Most People Die on Sundays for ENinaRothe.jpg
Apr 28, 2025
To be young, gifted and... gay! A review of Iair Said's 'Most People Die on Sundays'
Apr 28, 2025
Apr 28, 2025
the-accountant-2-ben-affleck-jon-bernthal for ENinaRothe.jpg
Apr 25, 2025
I'll give you one, no make that 2 good reasons to watch 'The Accountant 2' with Ben Affleck
Apr 25, 2025
Apr 25, 2025
UnBroken_Weber_Siblings_Allied Forces_Bremerhaven_Germany_1946 for ENinaRothe.png
Apr 21, 2025
Courage decoded: Beth Lane's 'UnBroken' is the film you need to watch on Netflix
Apr 21, 2025
Apr 21, 2025
Olmo Schnabel's Pet Shop Days for ENinaRothe.jpg
Mar 12, 2025
Olmo Schnabel's 'Pet Shop Days', EP'd by Martin Scorsese to finally release in the US
Mar 12, 2025
Mar 12, 2025