The upcoming screening will take place on December 3rd, and it will be followed by a Q&A with the director, moderated by director Sophie Fiennes.
Read MorePeace is a co-production: Amos Gitai, Irene Jacob and Micha Lescot talk 'Why War' in Venice
In his latest film, a crucial masterpiece titled ‘Why War’, Amos Gitai reminds us of an exchange of letters between Sigmund Freud, the father of modern psychoanalysis, and Albert Einstein, the scientific genius. If only we’d listen to these brilliant men.
Read More'Why War' may be Amos Gitai's most important film to date and will screen at this year's Venice Film Festival
For a man whose personal mission has been to “build bridges through cinema,” as he told La Repubblica newspaper in an interview just published this week, his latest film may prove the most important peace-making link yet.
Read MoreRe-evaluating the power of cinema: Amos Gitai's 'Shikun' at Berlinale
If you’d asked me a year ago did I believe cinema could change the world, I would have answered you with an enthusiastic “yes!” Now? Read on to find out…
Read MoreTalking ‘Foxtrot’ with Lior Ashkenazi, Sarah Adler and Samuel Maoz in Venice
In a great film, there is always a moment when things change — that instance when the viewer is caught off guard, and left with an indelible feeling to take home. I consider it the cinematic equivalent of that famous Maya Angelou quote “I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.” Personally speaking, a truly successful movie is one where that moment remains with me, hours later, casting a spell over my heart and soul.
Samuel Maoz’s ‘Foxtrot’ is that film. More than twelve hours after watching it at the Venice Film Festival where it is featured in the main Competition section, I’m still only barely able to process it emotionally. Even though the filmmaker created an artful, visually stunning, sonically powerful, perfectly acted, intellectually stimulating and utterly entertaining film — I can just remember how it made me feel. I doubt I will ever forget actually.
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