In his latest film, a crucial masterpiece titled ‘Why War’, Amos Gitai reminds us of an exchange of letters between Sigmund Freud, the father of modern psychoanalysis, and Albert Einstein, the scientific genius. If only we’d listen to these brilliant men.
Read MoreVenice Orizzonti opening film 'Nonostante' by Valerio Mastandrea is an ode to love and loss
It’s not often that a film changes the chemistry of my beliefs. ‘Nonostante’ which in English is called ‘Feeling Better’ is one of those films and I’m better for watching it — also after interviewing its talented filmmaker and star.
Read More'Why War' may be Amos Gitai's most important film to date and will screen at this year's Venice Film Festival
For a man whose personal mission has been to “build bridges through cinema,” as he told La Repubblica newspaper in an interview just published this week, his latest film may prove the most important peace-making link yet.
Read MoreSofia Coppola's 'Priscilla' to close the Jio MAMI Mumbai Film Festival
The Jio MAMI Mumbai Film Festival, which runs from October 27 to November 5, announced on Monday that this year’s Closing Night film will be Coppola’s film based on the 1985 memoir ‘Elvis and Me’ written by Priscilla Presley and Sandra Harmon.
Read More'Maestro' -- A personal review
Once the absurd discourse about Bradley Cooper’s nose will have finally quieted down, those who have been lucky enough to have watched ‘Maestro’ on the big screen will realize they’ve witnessed a masterpiece.
Read MoreSci-fi reimagined: Talking to Moin Hussain about 'Sky Peals' in Venice
We often forget that some of the best films ever made didn’t come with colossal budgets and outrageous VFX, their brilliance established through a great story and very relatable characters. British-Pakistani filmmaker Moin Hussain’s debut feature, which premiered in Venice before being poised to screen at the upcoming London Film Festival, is just one of those films.
Read More'Backstage' - Venice review
At the start of ‘Backstage’, the first feature directorial collaboration between Moroccan filmmaker Khalil Benkirane and Tunisian star Afef Ben Mahmoud, the unthinkable happens. And we, the audience, are along for the ride of a lifetime.
Read More'Bye Bye Tiberias' review: A personal tribute to a global cause
Lina Soualem’s touchingly personal documentary should be required viewing for anyone who wants to understand the Palestinian struggle, and the true emotional toll of an entire people’s displacement.
Read MoreFilmmaker Karan Tejpal and producer/writer Gaurav Dhingra talk Venice title 'Stolen'
Screened as part of Orizzonti Extra in Venice, the Indian indie production featured an unrelenting heroine, one that though penned by male writers, ticked all the boxes of a perfectly female character for me.
Read MoreReviewing David Fincher's 'The Killer' without giving too much away...
Starring the magnificently contained Michael Fassbender as the unnamed hitman, this is one film that must be viewed without any previous knowledge of its story and possibly on a cool Fall evening, with a shot of premium whiskey nearby. But you’ll have to see for yourself why that is.
Read MoreOlmo Schnabel talks directing 'Pet Shop Days', dual identities & laws of attraction
Olmo Schnabel’s directorial debut is everything you could wish for in a film, from a man with such an impressive background — artist and filmmaker Julian is his dad and mom is Spanish actress Olatz López Garmendia — but also someone who is perfectly at ease with both his American and Spanish sides. And refreshingly believes life is best when lived outside the boxes of convention.
Read More'Stane' by Antoneta Alamat Kusijanović is the latest must-watch from Miu Miu Women's Tales
When the filmmaker of 2021 Cannes Camera d’Or winner ‘Murina’ becomes the latest in a line of wondrous women filmmakers to feature in the beloved fashion brand’s series, the result is definitely something worth writing about!
Read MoreThe vampire wore sneakers: 'El Conde' Venice Review
Once again, Pablo Larrain proves he is one of the smartest filmmakers around, but never once does he talk down to us, his audience. And this dictator vampire romp in B&W is just what this writer needed to kick off the festival in style.
Read More'Nezouh' -- Venice 2022 review
Soudade Kaadan's film is a fable of two women and the men who love them (well, one man and one boy really) and the power and magic that love carries with it. From the MIME.news archives.
Read MoreFive indie films to watch at this year's Venice Film Festival
It may be a Netflix world and we’re just living in it, as the streaming giant is hot on the Lido this year with Bradley Cooper’s ‘Maestro’, Pablo Larrain’s vampire dictator romp and Wes Anderson’s latest — but there are a couple of indie titles that you need to watch.
Read MoreBradley Cooper transforms into Leonard Bernstein in first images & trailer released by Netflix for 'Maestro'
The film, which is also directed, co-written and co-produced by Cooper, chronicles the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein.
Read MoreNetflix drops Pablo Larrain Venice-bound 'El Conde' trailer and poster
The highly anticipated dark comedy horror by the Chilean auteur will premiere at this year’s Venice Film Festival, before going into theaters on Sept. 7th and finally streaming on the site from September 15th.
Read MoreRemembering the great Andrea Purgatori, Venice's Giornate degli Autori announces film selection
As the Venice Film Festival’s beloved sidebar turns twenty this year, no longer being a cinematic teenager means celebrating those who have left us in this world, but also looking ahead to some groundbreaking cinema.
Read MoreCounter-cancel culture: Venice announces latest from Woody Allen, Polanski & Wes Anderson's take on Roald Dahl's stories in lineup
Watch minds explode as they try to wrap their heads around this impressive lineup just announced by the iconic festival on the Lido, which will also feature the first African American woman filmmaker Ava DuVernay featured in the official competition. Along with much, much more.
Read More"You can't judge a book by its cover": Darren Aronofsky's 'The Whale' in Venice
'The Whale', which is the film version of the play by Samuel D. Hunter, deals with an obese man's last chance at redemption.
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