There are incredible Things to be said about the production value of the latest Lanthimos oeuvre, and there are beautiful Things in the film, but for me personally it was not all good Things for ‘Poor Things’.
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The vampire wore sneakers: 'El Conde' Venice Review
Once again, Pablo Larrain proves he is one of the smartest filmmakers around, but never once does he talk down to us, his audience. And this dictator vampire romp in B&W is just what this writer needed to kick off the festival in style.
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Talking 'A Calling . From the Desert . To the Sea' with filmmaker Murad Abu Eisheh
With his latest short, the Jordanian, Germany-based filmmaker proves once again that he can tackle women's stories perfectly, while also bringing a special sensitivity to them -- all the while gently educating audiences. And, last but not least, making great cinema in the process! From the MIME.news archives.
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'Nezouh' -- Venice 2022 review
Soudade Kaadan's film is a fable of two women and the men who love them (well, one man and one boy really) and the power and magic that love carries with it. From the MIME.news archives.
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Five indie films to watch at this year's Venice Film Festival
It may be a Netflix world and we’re just living in it, as the streaming giant is hot on the Lido this year with Bradley Cooper’s ‘Maestro’, Pablo Larrain’s vampire dictator romp and Wes Anderson’s latest — but there are a couple of indie titles that you need to watch.
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Bradley Cooper transforms into Leonard Bernstein in first images & trailer released by Netflix for 'Maestro'
The film, which is also directed, co-written and co-produced by Cooper, chronicles the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein.
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Jiří Havelka's 'The Owners' is a brilliant cinematic metaphor for democracy gone wrong
Don’t let the title of this review lead you to believe that this is some highly educational, dull drama, as the debut feature from the Czech theater director, playwright, actor and presenter proves irreverent and hilarious as well as poignant— and, most importantly, is a must watch!
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Netflix drops Pablo Larrain Venice-bound 'El Conde' trailer and poster
The highly anticipated dark comedy horror by the Chilean auteur will premiere at this year’s Venice Film Festival, before going into theaters on Sept. 7th and finally streaming on the site from September 15th.
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"The cognitive dissonance required to be a woman under patriarchy," as Barbie says...
Afef Ben Mahmoud in ‘Backstage’
Remembering the great Andrea Purgatori, Venice's Giornate degli Autori announces film selection
As the Venice Film Festival’s beloved sidebar turns twenty this year, no longer being a cinematic teenager means celebrating those who have left us in this world, but also looking ahead to some groundbreaking cinema.
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‘The Palace’ by Roman Polanski will be world premiering in Venice, out of competition
Counter-cancel culture: Venice announces latest from Woody Allen, Polanski & Wes Anderson's take on Roald Dahl's stories in lineup
Watch minds explode as they try to wrap their heads around this impressive lineup just announced by the iconic festival on the Lido, which will also feature the first African American woman filmmaker Ava DuVernay featured in the official competition. Along with much, much more.
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Christopher Nolan's 'Oppenheimer' review
If you watch one film this summer, make it ‘Oppenheimer’.
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The Wes Anderson "look" explained
The iconic filmmaker definitely has a look. In fact, there are various social media accounts dedicated to the Wes Anderson aesthetic, including “Accidental Wes Anderson” which has 1.8 million followers and “Wes Anderson Planet” with over 250K followers on Instagram.
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Art from Disney Pixar’s Elemental used with permission
Disney's 'Elemental' review
We can probably all remember the first Disney film we ever watched….
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Why Mario Martone's 'Somebody Down There Likes Me' is a must-watch for all world cinema lovers
On the occasion of the 70th anniversary of the birth of the late Massimo Troisi, Martone puts together a documentary homage to a man who changed the landscape of Italian cinema and also influenced filmmakers from the MENA with his groundbreaking vision and irreverent works of art.
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'A Cooler Climate' review
In typical James Ivory style, which we have come to know and love in the beautiful films he has been a part of throughout his career, much of the story of this moving documentary is written between the lines.
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A doc that feels like a thriller: talking to Shlomi Elkabetz about 'Black Notebooks: Ronit'
More than just an homage to a beautiful, inimitable woman, Shlomi Elkabetz's film about his sister and collaborator Ronit is a journey to the heart of cinema and a fantastic treasure hunt which, if followed through, brings us to the perfect depth of our human connection.
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"You can't judge a book by its cover": Darren Aronofsky's 'The Whale' in Venice
'The Whale', which is the film version of the play by Samuel D. Hunter, deals with an obese man's last chance at redemption.
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Say "Yup" to 'Nope' - a review
Ultimately, Jordan Peele's film is about connections, knowing when to turn our gaze away from things we aren't meant to be seeing, and humor -- lots and lots of humor.
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Baz Luhrmann's 'Elvis' - review
Baz Luhrmann's 'Elvis' is divine. It is a masterpiece of colossal measures, featuring stellar acting and framed with sublime clothes, settings and music.
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