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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

A still from ‘The Black Power Mixtape: 1967-1975’ by Göran Hugo Olsson

A still from ‘The Black Power Mixtape: 1967-1975’ by Göran Hugo Olsson

Five films to illuminate in these dark times, and check your racism at the door

E. Nina Rothe June 4, 2020

“I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually.” — James Baldwin

When I learned what happened to George Floyd on Memorial Day, I remembered more profoundly what “white privilege” means.

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In Cinema, The Diaries Tags Spike Lee, Black Lives Matter, Minneapolis riots, George Floyd, cinema with a conscience, Ava DuVernay, 13th, Selma, When They See Us, Central Park Five, NYC, racism, Nadia Hallgren, Becoming, Michelle Obama, Barack Obama, Americans, America, USA, Goran Hugo Olsson, The Black Power Mixtape, Erykah Badu, Stokely Carmichael, Angela Davis, Martin Luther King Jr., I Am Not Your Negro, Raoul Peck, James Baldwin, Malcolm X, Red Sea International Film Festival
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Robert Mitchum photographed by Bruce Weber

Robert Mitchum photographed by Bruce Weber

The Venice Diaries: Bruce Weber paints a daring portrait of Robert Mitchum in 'Nice Girls Don't Stay for Breakfast'

E. Nina Rothe September 3, 2018

As I sat down to meet legendary fashion photographer Bruce Weber I said "Mr. Weber, I can't say I grew up with your photographs because I'm older than I look, but I definitely grew into my sexuality thanks to your iconic images." It's true. Those NYC billboards in Times Square of underwear models for Calvin Klein, the Ralph Lauren "out of Africa" campaign, Kate Moss in the bathtub, the beach scenes, the catalogues I devoured before the advent of the internet, I grew into my skin thanks to Weber's images. 

Today, Weber has helped me to rediscover the beauty and genius of classic American actor Robert Mitchum. 'Nice Girls Don't Stay for Breakfast' screens at the Venice Film Festival in the Venice Classics section and is co-produced by Weber's wife Nan Bush. In the documentary, Mitchum is shown as never before, a singer, a lover and a poet, aided in part by cameos by Johnny Depp, Benicio Del Toro, Polly Bergen, Brenda Vaccaro and Liam Neeson, among many many more.

So why a film about Mitchum, why from Weber and why now?

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In Cinema, Interviews, Fashion, Festival, The Diaries Tags Nice Girls Don't Stay for Breakfast, Bruce Weber, Robert Mitchum, Venezia 75, La Biennale di Venezia, Venice Film Festival, documentary, Venice Classics, movie stars, Manhood, NYC, Calvin Klein, Photography, Ralph Lauren, Kate Moss, Johnny Depp, Benicio Del Toro, Brenda Vaccaro, Polly Bergen, Liam Neeson, Nan Bush, America, Judy Garland, George Cukor, A Star is Born, Lady Gaga, Bradley Cooper, political correctness, affairs, Dorothy Mitchum, Hollywood, Chet Baker, Let's Get Lost, Shelley Winters, Frank Sinatra, Johnny Mercer, Keely Smith, Pearl Bailey, Marianne Faithful, Dr. John
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Tye Sheridan and Jeff Goldblum in a still from Rick Alverson's 'The Mountain'

Tye Sheridan and Jeff Goldblum in a still from Rick Alverson's 'The Mountain'

The Venice Diaries: Rick Alverson's 'The Mountain' shows us the perils of an American "antiseptic utopia"

E. Nina Rothe September 1, 2018

Filmmaker Rick Alverson has never made films that are easily comprehensible to an audience. His work is the antithesis to the American superhero movie. From his first work 'The Builder' in 2010 he's proudly yet quietly worn the "independent filmmaker" badge of American moviemakers. In the tradition of greats like Dennis Hopper and John Cassavetes who came before him.

In his latest film 'The Mountain' which premiered in Competition at this year's Venice Film Festival, Alverson throws the audience a proverbial bone. What I mean is that 'The Mountain', starring Jeff Goldblum and Tye Sheridan, is as close to a traditional film as we will ever get from Alverson. While he still describes it as "an anti-utopian film" in his director's statement, 'The Mountain' takes the audience through a hippie trippy ride on a sparse, pastel hued rollercoaster with few words, great acting, haunting images and sounds and by the end, leaves us feeling lobotomizes. I could swear the entire crowd of the Sala Darsena, where the press and industry screening took place the day before the film's official premiere, walked out with a very specific look on their faces. Not unlike that of the leading character of Andy, played by Sheridan. 

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In Cinema, Festival, Interviews, The Diaries Tags Rick Alverson, The Mountain, Venice Film Festival, Venezia 75, La Biennale di Venezia, Jeff Goldblum, Tye Sheridan, Lobotomy, America, Make America Great Again, Arthur Miller, Death of a Salesman, P.T. Barnum, Hotel Excelsior, Dennis Hopper, John Cassavetes, Walter Freeman
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Ryan Gosling in 'First Man', photo courtesy of NBC Universal

Ryan Gosling in 'First Man', photo courtesy of NBC Universal

The Venice Diaries: Oh La La Moon! Damien Chazelle and Ryan Gosling soar high in 'First Man'

E. Nina Rothe August 29, 2018

Forget your tired, old costumed superheroes. It is time to reconnect with the original all American champion thanks to Ryan Gosling, in Damien Chazelle's latest masterpiece 'First Man'. The opening film at this year’s Venice Film Festival makes cinematic dreams come true.

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In Cinema, Festival, The Diaries Tags Ryan Gosling, Damien Chazelle, First Man, Venice 75, La Biennale di Venezia, Venezia 75, Venice Film Festival, Steven Spielberg, First Man: The Life of Neil A. Armstrong, James R. Hanson, Biopic, Wick Godfrey, Marty Bowen, Buzz Aldrin, America, USA, Space Program, Instagram, trailer, Gil Scott-Heron, Whitey on the Moon, Pablo Schreiber, Ciaran Hinds, Lukas Haas, Corey Stoll, Claire Foy
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