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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Tye Sheridan and Jeff Goldblum in a still from Rick Alverson's 'The Mountain'

Tye Sheridan and Jeff Goldblum in a still from Rick Alverson's 'The Mountain'

The Venice Diaries: Rick Alverson's 'The Mountain' shows us the perils of an American "antiseptic utopia"

E. Nina Rothe September 1, 2018

Filmmaker Rick Alverson has never made films that are easily comprehensible to an audience. His work is the antithesis to the American superhero movie. From his first work 'The Builder' in 2010 he's proudly yet quietly worn the "independent filmmaker" badge of American moviemakers. In the tradition of greats like Dennis Hopper and John Cassavetes who came before him.

In his latest film 'The Mountain' which premiered in Competition at this year's Venice Film Festival, Alverson throws the audience a proverbial bone. What I mean is that 'The Mountain', starring Jeff Goldblum and Tye Sheridan, is as close to a traditional film as we will ever get from Alverson. While he still describes it as "an anti-utopian film" in his director's statement, 'The Mountain' takes the audience through a hippie trippy ride on a sparse, pastel hued rollercoaster with few words, great acting, haunting images and sounds and by the end, leaves us feeling lobotomizes. I could swear the entire crowd of the Sala Darsena, where the press and industry screening took place the day before the film's official premiere, walked out with a very specific look on their faces. Not unlike that of the leading character of Andy, played by Sheridan. 

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In Cinema, Festival, Interviews, The Diaries Tags Rick Alverson, The Mountain, Venice Film Festival, Venezia 75, La Biennale di Venezia, Jeff Goldblum, Tye Sheridan, Lobotomy, America, Make America Great Again, Arthur Miller, Death of a Salesman, P.T. Barnum, Hotel Excelsior, Dennis Hopper, John Cassavetes, Walter Freeman
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