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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Mariëtte Rissenbeek and Carlo Chatrian announcing this year’s Competition & Encounters line up on Monday

All the latest Berlinale titles added to Competition and Encounters

E. Nina Rothe January 24, 2024

While many of us may be concentrating on the awards announcements, the Berlin Film Festival reminds us where it all starts from, and why these worldwide events are so important. Dare I say, more than the awards…

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In Cinema, Festival, The Diaries Tags Berlinale, Berlin Film Festival, Germany, Middle East, Mariëtte Rissenbeek, Carlo Chatrian, Golden Bear, Silver Bear, Meryam Joobeur, Who Do I Belong To, Tunisia, Qu, Qumra, Doha Film Institute, Nadim Cheikhrouha, Sarra Ben Hassen, Kaouther Ben Hania, Another End, Piero Messina, Gael Garcia Bernal, Berenice Bejo, Black Tea, Abderrahmane Sissako, La Cocina, Rooney Mara, Oded Fehr, Dahomey, Mati Diop, Hors du Temps, Olivier Assayas, Bruno Dumont, L'Empire, Lyna Khoudri, Yasmine Al Massri, Kiyoshi Kurosawa, The Stranger's Case, Omar Sy, Brandt Andersen, Aleppo, Riho Kudo, Chime, August my Heaven
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Fatma Al Remaihi, CEO of the Doha Film Institute, flanked by the managing team of the Ajyal Film Festival

Fatma Al Remaihi, CEO of the Doha Film Institute, flanked by the managing team of the Ajyal Film Festival

Doha's Ajyal Film Festival aims to make educated audiences out of today's youth

E. Nina Rothe November 5, 2019

I believe wholeheartedly that we are what we watch. It’s been my mission to find works of art on the big screen — and on the little one now through Netflix and the likes — that will make life better. I mean, we can all remember that moment, as children, walking out of a theater having watched our favorite character or cartoon on the big screen and feeling an extra bounce in our step. I still experience that these days, whenever I watch something really special. I walk out of the darkened theater into the light of day — as a film writer most of my viewings are done during the day — feeling like anything is possible.

So when the Doha Film Institute kicked off their Ajyal Film Festival in 2014, I went to Qatar to experience the wonder first hand. It was everything I hoped it would be, children and young adults as juries, films that although made for all ages, could really infuse younger minds with a message of peace and hope. You know, an idealist film writer’s dream come true.

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In Cinema, Festival, The Diaries Tags Qatar, Doha, Doha Film Institute, Ajyal Film Festival, youth, Elia Suleiman, This Must Be Heaven, karak chai, Oualid Mouaness, Amjad Abu Alala, Jason Silva, Gitanjali Rao, Chace Crawford, Kris Hitchen, Sundance TV, Kiyoshi Kurosawa, Arab cinema, 1982
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
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Hanaa Issa with filmmaker Elia Suleiman at a DFI event

Hanaa Issa with filmmaker Elia Suleiman at a DFI event

"This is the environment where films flourish": Talking Qumra 2019 with Hanaa Issa in Berlin

E. Nina Rothe February 11, 2019

Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.

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In Cinema, Interviews, The Diaries Tags Qumra, Doha Film Institute, Hanaa Issa, Doha, Qatar, Arab cinema, Gulf cinema, Eugenio Caballero, Cannes Film Festival, Alice Rohrwacher, Agnes Varda, Kiyoshi Kurosawa, Pawel Pawlikowski, Cold War, Lazzaro Felice, Roma, Berlin, The Ritz Carlton, Hamida Issa, Places of the Soul, Antartica, Sheikha Mayassa, Fatma Al Remaihi, Nadine Labaki, Capernaum, Oscars, Academy Awards, Rithy Panh, Too Late to Die Young, The Load, Inida, Indian Rose
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