It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.
Read MoreA still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI
A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes
The Cannes Diaries: Magical interviews, chance meetings and beautiful films
There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.
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Emma Stone and Joe Alwyn in ‘Kinds of Kindness’, photo by Atsushi Nishijima, courtesy of Searchlight Pictures
This year's Festival de Cannes line up is announced
And it features the latest works from Yorgos Lanthimos, Karim Aïnouz, Ali Abbasi, David Cronenberg, Paolo Sorrentino and Francis Ford Coppola, to name a few — phew!
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Hanaa Issa with filmmaker Elia Suleiman at a DFI event
"This is the environment where films flourish": Talking Qumra 2019 with Hanaa Issa in Berlin
Ever since its creation in 2010 on the peninsular country of Qatar, the Doha Film Institute has been revolutionizing cinema in the Region. The word “revolution” is never a sign of good things in the Arab world and yet at DFI, they should welcome the term when it comes to describing the work they’ve been doing almost singlehandedly to create and foster a healthy cinema culture in the Arab world. And beyond.
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