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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Welcome to the first episode of The Culture Influential

E. Nina Rothe April 22, 2025

Starting right here, right now, I’m kicking off a podcast that brings together film and fashion in a brand new way, where you'll find yourself sitting in the room with celebrities and artists, for some cozy conversations. Cultural events and world affairs decoded, from Cannes to Venice to London and across the pond, to NYC. 

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In Cinema, Fashion, Festival, Interviews, Television, Art Tags The Culture Influential, Podcast, Qumra, Doha Film Institute, Qatar, Walter Salles, Lav Diaz, Darius Khondji, Cannes, Venice, London, fashion weeks, film festivals, DFI, Apple podcasts, Spotify
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Cannes' sidebars -- Critics' Week, Directors' Fortnight and ACID selections announced

E. Nina Rothe April 15, 2025

Among the titles which stand out to me immediately are two beautiful projects, one selected for Critics’ Week and the other in the Fortnight line up, which participated in the recent DFI Qumra industry incubator. And I included the shorts in Critics’ Week!

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In Cinema, Festival Tags Critics week, Cannes Film Festival, festival de Cannes, Quinzaine de Cineastes, Directors' Fortnight, ACID, Cannes, Harmony Korine, The President’s Cake, Hasan Hadi, Leah Chen Baker, Qumra, DFI, Doha Film Institute, Barry Jenkins, Dangerous Animals, Sean Byrne, Kokuho, Lee Sang-il, Eva Victor, Sorry Baby, Daniel Kaluuya, Guillermo Galoe, Sleepless City, Ciudad Sin Sueño, Spain, Iraq, Madrid, Kaouther Ben Hania, Sylvain George, Life After Siham, Namir Abdel Messeeh, Put Your Soul on Your Hand and Walk, Sepideh Farsi
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Qumra 2025 projects include an outlaw Bedouin bandit couple adventure and a Palestinian dystopian sci-fi thriller

E. Nina Rothe March 6, 2025

Also included in the extensive line up of projects participating in the upcoming industry incubator organized by the Doha Film Institute is the follow up by Algerian helmers Damien Ounouri and Adila Bendimerad to their award winning epic ‘The Last Queen’, as well as Suzannah Mirghani’s highly anticipated feature debut ‘Cotton Queen’.

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In Cinema, The Diaries Tags Qumra 2025, Doha Film Institute, DFI, Damien Ounouri and Adila Bendimerad, Suzannah Mirghani, Cotton Queen, Qatar, Sofia Djama, Quarter to Thursday, Larissa Sansour, Palestine, Algeria, In Memory of Times to Come, Tunisia, Erige Sehiri, Marie & Jolie, The Joyful 1926, Speak Image Speak, Pary El-Qalqili, 1972 Munich Olympics, Sari & Amira, A.J. Al-Thani, Wadi Sakheema, Flower of the Sand, Morocco, Jaouad Babili, Sudan, Atlas Workshops, The President's Cake, Iraq, Hasan Hadi, Saddam Hussein, Souraya Mon Amour, Nicolas Khoury, Souraya Baghdadi, Maroun Baghdadi, Lebanon, Fatma Hassan Alremaihi, The Pearl, Noor Al-Nasr, In the Name of Safia, Safia Kessas, Love 45, Anas Khalaf, Sound of Silence, Joyce A. Nashawati, Syria, The Fin, South Korea, Syeyoung Park, The Reserve, Mexico, Pablo Pérez Lombardini, Roqia, Yanis Koussim, Sleepless City, Spain, Guillermo García López, Fatna a Woman Named Rachid, Hélène Harder, Mother of Silence, Zahraa Ghandour, Once Upon a Time in Shiraz, Iran, Hamed Zolfaghari, The Day of Wrath: Tales from Tripoli, Rania Rafei, Jodari Meno, Dr. Jamal Rashid Al-Khanji, Al-Michelin, Abdul-Rahman Sakr, Jordan, Dirty Hands, Georges Hazim and Maya Dagher, Task Force: Apocalypse!, Dana J. Atrach and Anne Sobel, El’Sardines, Zoulikha Tahar, Villa 187, Eiman Mirghani
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Clockwise from left: Walter Salles, Anna Terrazas, Darius Khondji and Lav Diaz

Walter Salles, Lav Diaz and 'Roma' costume designer Anna Terrazas announced as Qumra Masters 2025

E. Nina Rothe February 25, 2025

The list for the upcoming edition also includes César and Academy Award nominated DoP Darius Khondji, and Hong Kong filmmaker Johnnie To Kei-Fung.

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In Cinema, Fashion, The Diaries Tags Lav Diaz, Darius Khondji, Hong Kong, Iran, Brazil, Johnnie To Kei-Fung, Qumra, Doha Film Institute, DFI, Walter Salles, Roma, Anna Terrazas, Oscar nominated
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Ajyal young jurors sit during a screening of a film in their section

The Doha Ajyal Diaries: Women filmmakers sweep awards at this year's DFI Ajyal Film Festival

E. Nina Rothe November 24, 2024

And, while watching films during this wondrous festival, I witnessed a second miracle in the making.

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In Festival, The Diaries Tags DFI, Doha Film Institute, Ajyal Film Festival, Doha Film Festival, Made in Qatar, Laila Abbas, Sudan Remember Us, Hind Meddeb, Thank You for Banking with Us, Sudan, West Bank, Gaza, Palestine, Searching for Amani, Debra Aroko and Nicole Gormley, Simon Ali, Kenya, Above the Tamarind Tree, Ajyal in gaza, Buthyna Al Mohammadi, Saleh Bakri, Amal Al Muftah, Ali Al-Hajri, I Lay For You To Sleep, Paul Abraham and Abdulla Al-Hor, The Alkaline, Bottles, Yassine El Idrissi, Block 5, Klemen Dvornik, Canary in a Coal Mine, Dwan Kaoukji, Apoleon, Amir Youssef
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A still from ‘Sudan, Remember Us’ by Hind Meddeb, courtesy of the DFI

Ajyal 2024: Festival will kick off with 'Sudan, Remember Us' and will present a focus on Voices from Palestine

E. Nina Rothe November 5, 2024

With the theme of the 2024 edition of Ajyal Film Festival presented by the Doha Film Institute announced as ‘Moments That Matter’, the event will also see the participation of Palestinian stars Hiam Abbas, Saleh and Mohammad Bakri, along with beloved Egyptian actor Khaled El Nabawy, Turkish TV star Esra Bilgic and Sudanese musician Mustafa the Poet.

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In Cinema, Festival, The Diaries Tags Doha Film Institute, DFI, Ajyal Film Festival, Qatar, Hiam Abbas, Saleh Bakri, Mohammad Bakri, Palestine, Egypt, Turkey, Khaled El Nabawy, Esra Bilgic, Mustafa the Poet, Sudan, Moments that Matter, Lebanon, Meryam Joobeur, Cyril Guei, Chatri Sityodtong, Rithy Panh, Anees, Misan Harriman, Sudan Remember Us, Hind Meddeb, Made in Qatar, Undr by Kamal Aljafari, Janin Janin, Intaj: From Ground Zero Experience, Gaza, Rashid Masharawi, Meeting with Pol Pot, The Apprentice: ONE Championship Edition Season 2, Media City Qatar, Qatar-Morocco 2024 Year of Culture, Faouzi Bensaidi, Flow by Gints Zilbalodis
Comment

A still from ‘Aïcha’ by Mehdi Barsaoui, courtesy of The Party Film Sales

More to love from the Doha Film Institute at this year's Venice Film Fest

E. Nina Rothe August 20, 2024

This year there are 12 Doha Film Institute supported films in the lineup on the Lido, plus the DFI is hosting a special afternoon and even a gala dinner celebrating their achievements in the world of cinema and art.

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In Art, Cinema, Fashion, The Diaries Tags Doha Film Institute, Your ghosts are mine: Expanded Cinemas, Amplified Voices, Palazzo Franchetti, Venice International Film Festival, Aisha, Aisha Can’t Fly Away, DFI, Qumra, Media City Qatar, Majid Al-Remaihi, Shaima Al Tamimi, La Biennale di Venezia, Egypt, Jordan, Lebanon, Morocco, Palestine, Tunisia, Yemen, Fatma Hassan Alremaihi, Aïcha, Mehdi Barsaoui, Happy Holidays, Scandar Copti, Shadows, Rand Beiruty, Sudan Remember Us, Hind Meddeb, Orizzonti, Giornate degli Autori, Critics' Week, In This Darkness I See You, Nadim Tabet, My Father’s Scent, Mohamed Siam, Marie & Jolie, Erige Sehiri, The Station, Sara Ishaq, Theft of Fire, Amer Shomali
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A still from ‘Salted Skins’ by Nicolas Fattouh, courtesy of the DFI

The Cannes Diaries: Doha Dreaming with multiple DFI projects in the Cannes Official line up & Spring 2024 upcoming grants

E. Nina Rothe May 23, 2024

It’s all in a week’s work for the Doha Film Institute, the greatest cinematic organization in the MENA region.

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In Cinema, The Diaries, Festival Tags Doha Film Institute, Qatar, DFI, H.E. Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, Rendez-vous avec Pol Pot, Rithy Panh, Cambodia, Qumra, Iréne Jacob, Grégoire Colin, Cyril Gueï, Cannes Film Festival, Critics' Week, The Brink of Dreams, Nada Riyadh and Ayman El Amir, KEFF, Locust, Taiwan, Morocco, Across the Sea, Saïd Hamich Benlarbi, Egypt, East of Noon, Hala Elkoussy, Mahdi Fleifel, To a Land Unknown, Erige Sehiri, Marie and Jolie, Joyce A. Nashawati, Sound of Silence, Venice Film Festival, Ameer Fakher Eldin, Yunan, Elia Suleiman, MENA region, Hanaa Issa, Fatma Hassan Alremaihi, Al-Dana, Nora Al-Subai, Running With Beasts, Leila Basma, Lebanon, Syria, The Settlement, Mohamed Rashad, Nomadish, Yassine Marco Marroccu, Agora, Ala Eddine Slim, Żejtune, Malta, Alex Camilleri, The Botanist, china, Jing Yi, Another Birth, Tajikistan, Isabelle Kalandar, Horizon, Colombia, César Augusto Acevedo, Tale of the Land, Indonesia, Loeloe Hendra, The Fin, South Korea, Syeyoung Park, Flying Elephants, Mona Khaouli, Munir Khauli, Just Like a Dream, Corine Shawi, Beirut, Road Trip, Linda Qibaa, Speak Image, Speak, Palestine, Pary El-Qalqili, Flower of the Sands, Jaouad Babili, Climbing the Mountains, Algeria, Sabrina Chebbi, She Was Not Alone, Iraq, Saudi Arabia, Hussein Al-Asadi, Those Who Watch Over, Karima Saidi, Ground Zero, collective shorts project, Moondove, Karim Kassem, Cutting Through Rocks, Iran, Sara Khaki and Mohammad Reza Eyni, Requiem for a Tribe, Marjan Khosravi, Badr on the Moon, Jordan, Aisha Al-Jaidah and Kholoud Al Ali, Film, TV Series, Web series, Last Words, Antoine Waked, Palmyra, Carol Mezher and Gabriela Flores, Rent-a-Mama, Dania Bdeir, New York, The Dry Kingdom, Dana J. Atrach, Echoes, Marie-Rose Osta, El'Sardines, Zoulikha Tahar, Before the Day Breaks, Amal Al-Muftah, If Only, Ali Al Anssari, Little Man, Hajri Gachouch, Salted Skins, Nicolas Fattouh, The Heaviness of Absence, Zizou, Jalal Maghout, Khaled Moeit, Maha Al-Thani, Eman, Please Pause, Lulwa Al-Thani, The Star, Ingrid El Zoghby, Another Day Shall Come, Aida Kaadan
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes

The Cannes Diaries: Magical interviews, chance meetings and beautiful films

E. Nina Rothe May 19, 2024

There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.

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In Cinema, Festival, The Diaries Tags Alleno & Rivoire chocolate, festival de Cannes, Cannes Film Festival, The Cannes Diaries, RH Three, Golden Globes, The Girl with the Needle, Venice Film Festival, Croisette, KEFF, Locust, Taiwanese cinema, La Semaine de la Critique, Francis Ford Coppola, Megalopolis, Adam Driver, Giancarlo Esposito, Andrea Arnold, Bird, Barry Keoghan, Magnus van Horn, Vic Carmen Sonne, Trine Dyrholm, Un Certain Regard, Zambia, Rungano Nyoni, On Becoming a Guinea Fowl, Everybody Loves Touda, Nabil Ayouch, Doha Film Institute, Five Seas Hotel, DFI, Sebastian Sepulveda, Qumra, Elia Suleiman, Nina Rodriguez, Ali Khechen, Hanaa Issa, Fatma Hassan Al Remaihi, Cannes Premiere, Thierry Fremaux, Salle Debussy, Jean-Luc Godard, Rithy Panh, Rendez-Vous avec Pol Pot, Meeting with Pol Pot, Irene Jacob, Grégoire Colin, Leos Carax, C'est pas moi, Oscars, Academy Awards, Baby Annette, Annette, Denis Lavant, Bad Blood, Modern Love, David Bowie, Tom Hanks, Forrest Gump
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A still from ‘The land was well past its zenith’ by Rita Mahfouz

"We have to set our minds on how to create pockets of hope": Elia Suleiman on holding DFI's Qumra in these challenging times

E. Nina Rothe February 17, 2024

Plus actress and producer Toni Colette, is confirmed as the sixth 2024 Master for the upcoming tenth anniversary edition of the industry incubator and the participating projects are announced.

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In Cinema, Interviews, The Diaries Tags DFI, Doha Film Institute, Qumra, Elia Suleiman, Hanaa Issa, Alaa Eddine Aljem, Eldorado, The Taste of the South, To Leave or To Stay, Azedine Kasri, Mohammad Alchikho, Nora Al-Subai, Ahmad Saleh, Aisha Can’t Fly Away, Morad Mostafa, Roqia, Yanis Koussim, Across the Sea, Said Hamich Benlarbi, Aïcha, Mehdi Barsaoui, Ma, The Maw Naing, Perfumed with Mint, Muhammed Hamdy, Celebration, Bruno Anković, Locust, KEFF, House No 7, Rama Abdi, Hend Bakr, Dilpak Mated, Soufiane Adel, Lana Daher, Najba Nouri and Rasul Nouri, Ana Naomi de Sousa, Naseem, Fight With Grace, Mohammed Almughanni, Mayar Hamdan and Shaima Al Tamimi, The Myth of Mahmoud, Rawia Alhaq, Anas Saeed, Timmea Ahmed, Ibrahim Ahmad (Snoopy), Aurélia Makdessi, Niemeyer 4 Ever, Mehdi Hmili
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Jim Sheridan, Leos Carax, Claire Denis and more at Qumra for this year's DFI industry meet up

E. Nina Rothe February 6, 2024

Plus Atom Egoyan fresh from the Berlinale and Academy Award nominated sound designer Martín Hernández, all to give Masterclasses while in Qatar.

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In Cinema, The Diaries Tags Leos Carax, Elia Suleiman, Fatma Hassan Alremaihi, Doha Film Institute, DFI, Qumra, Qatar, Doha, Claire Denis, Atom Egoyan, Martin Hernandez, Jim Sheridan, Qumra Masters, True Detective Night Country, Amores Perros, Annette, Birdman, Alejandro G. Iñárritu, The Revenant, Holy Motors, Cannes Film Festival, Joan Dupont, Stars at Noon, Beau Travail, Silver Bear Berlinale, Seven Veils, TIFF, Sophie Toscan du Plantier, Palestine, David Merriman, Sophie, In the Name of the Father, The Boxer, Academy Awards, BAFTA, Qumra Projects, Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani
Comment
A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

A still from ‘Mornings in Jenin’, a series project participating in this year’s Qumra event

The Doha Film Institute's Qumra 2021 goes global with its virtual edition

E. Nina Rothe March 7, 2021

For film insiders the Qumra event — held once a year in Doha, Qatar and bringing together industry experts and filmmakers from all over the world — was always a highly anticipated time to put on our calendars. But in the age of pandemic, where we need all the inspiration we can get to simply continue onward, Qumra has become a lifeline.

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In Cinema, The Diaries, Fashion Tags Doha Film Institute, DFI, Qumra, Mornings in Jenin, Annemarie Jacir, Palestine, Doha, Qatar, Claire Denis, James Gray, Jessica Hausner, Mark Mangini, Phedon Papamichael, Brigitte Lacombe, Yasmine Hamdan, Festival de Cannes, Variety, Fatma Hassan Alremaihi
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Katara Opera House on the opening night of Ajyal Film Festival in Doha, Qatar

Katara Opera House on the opening night of Ajyal Film Festival in Doha, Qatar

Doha's Ajyal Film Festival Opening Night: We may be socially distanced but our cinematic hearts beat as one!

E. Nina Rothe November 19, 2020

This year, the Doha Film Institute has managed to put together a hybrid online and in person (for Qatari residents only) version of its annual Ajyal Film Festival dedicated to young audience and there was even a red carpet last night and an opening ceremony. I’m sharing the video of the latter below.

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In Cinema, Festival, The Diaries Tags Doha Film Institute, DFI, Doha, Qatar, cinema, Arab cinema, Iranian cinema, Ajyal Film Festival, Katara Opera House, Covid-19, socially distanced, Majid Majidi, Sun Children, Oscar entry, Iran, Best International Feature Film, Young audiences, Woody Allen, Luchino Visconti, Disney animation, H.E Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Ajyal 2020, Fatma Hassan Alremaihi, I Am Greta, Greta Thunberg, Yalda a Night for Forgiveness, Massoud Bakhshi, 200 Meters, Ameen Nayfeh, Palestine, Ali Suliman, Made in Qatar
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A still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi

A still from Iran’s submission to the Oscars, ‘Sun Children’ by Majid Majidi

Doha's Ajyal Film Festival: Erasing some of the common borders of the Middle East, for a youth centric audience

E. Nina Rothe November 17, 2020

I’ve long been a fan of everything that the Doha Film Institute has to offer. Their Qumra event is a phenomenal way to witness how filmmakers go about constructing their films, from pre-production to grants and securing funding to finish their projects. For a culture journalist, it’s a valuable way to experience, quite literally, how cinema is made.

But personally, the event that remains near and dear to my heart is always the Ajyal Film Festival.

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In Cinema, Festival, The Diaries Tags Iranian cinema, Doha Film Institute, Qatar, Covid-19, Ajyal Film Festival, youth, Qumra, DFI, Zoom, Yalda a Night for Forgiveness, Massoud Bakhshi, Sadaf Asgari, Behnaz Jafari, Sundance, Tehran, Iran, reality, 180º Rule, Farnoosh Samadi, TIFF, Toronto International Film Festival, Oscar, Academy Awards, Sun Children, Majid Majidi, child labor, Best International Feature Film, underdog, underage, Jafar Panahi, Dariush Mehrjui, Bahman Ghobadi
Comment
A still from ‘Family Romance, Llc’ by Werner Herzog

A still from ‘Family Romance, Llc’ by Werner Herzog

The Cannes 2019 Diaries: Wondrous Werner Herzog, 'Papicha' is my new heroine and the life surreal of a film journo

E. Nina Rothe May 22, 2019

In ‘Family Romance, Llc’ Werner Herzog finds a new way to work through the difficulties life throws our way — outsource them to an agency specializing in family connections. He does it with his usual flair for our human ridiculousness and making the impossible seem real. During the junket following the screening, I loved listening to my esteemed colleagues’ confused explanations of stories they thought they’d seen like this one in documentaries, or even completely convinced this was a reality film, instead of fiction. And Herzog himself quite perfectly, calmly and smoothly shooting down each and all of their perplexed ideas.

‘Family Romance, Llc’ was a Special Screening at this year’s Festival de Cannes.

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In Cinema, Festival, The Diaries Tags El Gouna Film Festival, El Gouna Cannes boat party, Engineer Naguib Sawiris, Egypt, Arab cinema, DFI, Doha Film Institute, Werner Herzog, Papicha, Cannes Film Festival, Cannes Diaries, Festival de Cannes, Un Certain Regard, Special Screenings, helicopters, Nice Airport, Abu Dhabi, Intishal Al Timimi, Mounia Meddour, Fitzcarraldo, Amazon jungle, Family Romance Llc, Japan, outsourcing
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A still from ‘Femmetasia’ by Mouhssine El Badaoui

A still from ‘Femmetasia’ by Mouhssine El Badaoui

Five projects from this year's Qumra I simply cannot wait to watch

E. Nina Rothe March 31, 2019

The yearly, five days long Qumra event in Qatar, held by the Doha Film Institute each March is that rare occasion for those of us who write about cinema to connect with the filmmakers, producers, film programmers, sales agents and festival directors who make the magic happen. Don’t misunderstand me now, I think film journalists and bloggers are equally to praise or blame for great movies being made. Our collective word, the reviews and interviews we manage to sell to publications or feature on our blogs, can create a movement that reverberates around the world. I know colleagues who pride themselves on making or breaking someone’s career. It’s not nice, but it is true. Take the case of Gianfranco Rosi’s ‘Below Sea Level’ and the infamous Variety review that ensured the film never made it to a cinema near you — a fact the filmmaker mentioned in his Masterclass at last year’s Qumra.

That said, in Doha there is a great energy created by the powers that be of the DFI, which allows journalists to relate to the film projects in such a personal way that it’s impossible thereafter to dislike it or even ignore it.

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In Cinema, The Diaries Tags Bombay Rose, Gitanjali Rao, Doha Film Institute, Qumra 2019, Doha, Qatar, DFI, Khuzama, A.J. Al-Thani, documentary, narrative feature, animated feature, Afghanistan, Iran, Hasan Noori, Afsaneh Salari, Taliban, The Forbidden Strings, Places of the Soul, Hamida Issa, Antartica, desert, iceberg, NY Times, NYC, Femmetasia, Mouhssine el Badaoui, Fantasia, Morocco, horses, masterclasses, Arianna Huffington
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A still from Hamida Issa’s ‘Places of the Soul’

A still from Hamida Issa’s ‘Places of the Soul’

The Qumra Diaries: Souq Waqif, "from desert to desert", Alice Rohrwacher and Kiyoshi Kurosawa

E. Nina Rothe March 22, 2019

On my last day in Doha, I spend the afternoon wandering around the Souq Waqif which I learned from a local filmmaker, literally translates as “the stand up souk.” In the olden days, before Qatar turned into the international, cosmopolitan country it is today, the sea would come straight into the alleys of the souk so the merchants had to stand up and pick up their wares during the tides. Thus the name, and actually while I wandered around checking out the shops, having a shawl sewn from a traditional flower fabric by a local tailor while drinking a karak chai (cardamon infused milky tea) and eating a chapatti flat bread filled with zaatar, I felt like I was transported back to those early days of the pearl divers and their haunting songs of the sea.

Doha is special place. I’ll never get tired of saying it. And their annual Qumra event, organized by the Doha Film Institute is sheer cinematic magic. Qumra is a meeting place, a five-days long networking session, a place to pitch, secure financing and ensure a screening chance for film projects. But it is also an occasion to recharge our collective passion for the movies. For journalists, producers and of course filmmakers, the atmosphere at Qumra offers an almost electric energy, a jolt of renewed hope in the future of the 7th art.

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In Cinema, Interviews, The Diaries Tags Alice Rohrwacher, Kiyoshi Kurosawa, Qumra, Qumra 19, Souq Waqif, Doha, Qatar, Museum of Islamic Art, Qumra working breakfast, Getty Images, Netflix, Japanese cinema, Italian cinema, masterclasses, Agnes Varda, Eugenio Caballero, Pawel Pawlikowski, Elia Suleiman, Hamida Issa, Places of the Soul, Antartica, Arabian desert, Gulf cinema, Saudi Arabia, H.E. Sheikha Mayassa Al-Thani, Fatma Al Remaihi, Hanaa Issa, DFI, Doha Film Institute, Cannes
Comment
Eugenio Caballero talks with Richard Peña during Qumra

Eugenio Caballero talks with Richard Peña during Qumra

The Qumra Diaries: Eugenio Caballero and Pawel Pawlikowski share their filmmaking wisdom

E. Nina Rothe March 18, 2019

When I look at the title of this piece, I feel overwhelmed myself. I mean, it would be pretty wonderful to just hear one of the these two men who are such Maestros in each of their professions give a Masterclass. But when you get them both, within 24 hours of each other, on a stage, talking to the equally wondrous Richard Peña, well, you have cinematic magic.

Or more precisely, what you have is the Doha Film Institute’s annual Qumra event.

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In Cinema, Interviews, The Diaries Tags Pawel Pawlikowski, Eugenio Caballero, Qumra, Doha Film Institute, DFI, Doha, Qatar, Agnes Varda, Richard Pena, Oscars, Academy Awards, The Woman in the Fifth, Last Resort, Ida, Cold War, England, Russia, Poland, Mexico, Ethan Hawke, Kristin Scott Thomas, documentaries, Art direction, Jim Jarmusch, Pan's Labyrinth, Guillermo del Toro, A Monster Calls, Alfonso Cuaron, Roma, The Limits of Control, Tsunami, The Impossible, Museum of Islamic Art
Comment
Agnes Varda

The Qumra Diaries: Discovering Agnès Varda in the land of cinema

E. Nina Rothe March 16, 2019

It is obvious from the moment one steps on a Qatar Airways aircraft that cinema is important in Doha. I mean, just going through the entertainment system on my particular flight, I found ‘Rebecca’ by Hitchcock, Barry Jenkins’ hauntingly touching and all too true ‘If Beale Street Could Talk’, Paul Dano’s intimate portrayal of a family struggling to remain a single nucleus ‘Wildlife’ and even the 2019 Best Picture Oscar winner ‘Green Book’.

Qatar knows good cinema and nowhere is that better understood than in the welcoming arms of the Doha Film Institute.

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In Cinema, Festival, The Diaries Tags Agnes Varda, Qumra, Doha Film Institute, DFI, Qatar, Doha, La Pointe Courte, Faces Places, Festival de Cannes, E. Nina Rothe, Richard Peña, The Qumra Diaries, cinema, film, Qatar Airways, Rebecca, Alfred Hitchcock, Barry Jenkins, If Beale Street Could Talk, Paul Dano, Jake Gyllenhaal, Wildlife, Oscar winner, Green Book
Comment
LF71-LEOlarge-POS.png

The Locarno Diaries: Women power, Courage with a capital "C" and a healthy dose of great cinema

E. Nina Rothe August 2, 2018

As I flew over to Milan to reach Locarno then by car over the Alps, I watched 'The Gospel According to André' on the plane -- the documentary about the grand fashion figure that is André Leon Talley. It was a perfect way to dive into the Locarno Festival since Talley's life has been all about courage and bold choices and this year's film festival is channeling that spirit exactly.

Also, as a woman I find solace at an event that kicks off with a press release announcing their commitment to sign the Programming Pledge for Parity and Inclusion in Cinema Festivals for parity and equality in the industry. Locarno will be the first festival after Cannes to commit to this pledge. So on August 5th at 9.45 a.m. Marco Solari, Locarno Festival President and Carla Speziali, Locarno Festival Vice President, will gather at the Spazio Forum to publicly and officially sign the initiative by SWAN, the Swiss Women’s Audiovisual Network, a sister movement to the French 5050x2020 campaign that took place on the steps of the Palais this May 2018 during the Cannes Film Festival.

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In Cinema, Festival, The Diaries Tags Tarde Para Morir Joven, Too Late to Die Young, Locarno Film Festival, Locarno Festival, Meg Ryan, E. Nina Rothe, Dominga Sotomayor, Violeta Brava, Doha Film Institute, Qumra, Qatar, Vianney Lebasque, Piazza Grande, Leo McCarey, Marco Solari, Carlo Chatrian, SWAN, Pledge for Parity and Inclusion, Switzerland, DFI
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