And the titles include ‘The Extraordinary Miss Flower’ by Iain Forsyth & Jane Pollard, ‘On Becoming a Guinea Fowl’ by Rungano Nyoni and Georgian film ‘April’, produced by Luca Guadagnino.
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A still from ‘The Girl with the Needle’, courtesy of the Festival de Cannes
The Cannes Diaries: Magical interviews, chance meetings and beautiful films
There is a trick to this festival. If you stand still long enough in Cannes — something a bit difficult to do on a weekend as crowds are bustling all around you — you’ll run into everyone who is anyone in the film universe.
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