Sophia Loren in a frame from the film ‘L’oro di Napoli’ by Vittorio De Sica
The Pre-opening film will screen on Tuesday August 27th of the 81st Venice International Film Festival of La Biennale di Venezia, on the 50th anniversary of the death of Vittorio De Sica and the 70th anniversary of the film.
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The latest DreamWorks Animation title will be distributed by Universal and is a new adaptation of the literary sensation by Peter Brown.
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Here are a few reasons why… One hint? Glen Powell smolders. You’re welcome.
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I know, I know, I’m not the film’s target demographic, so instead of showing my age and complaining about the noise and video game aesthetics, I’ll share three things I loved about the latest installment of the series, directed and co-written by George Miller.
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Cinematic, albeit scandalous history was made in 1972 when Bernardo Bertolucci’s ‘Last Tango in Paris’ was first screened. Now French filmmaker Jessica Palud, with the help of a book written by Maria Schneider’s cousin, retells the story to finally bring out the heroine in a woman who simply stood up for herself. And, as is often the case for strong women, lost.
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Pakistan may not yet be known for great 2D hand-painted animation, but the Riaz cousins plan to change all that, come this year’s world premiere of ‘The Glassworker’ at the prestigious Annecy Festival in June.
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If you go into Coppola’s opus without a heavy belief in romance and a huge cultural knowledge of cinema, you’ll miss the point. Once you’ve got that sorted, all you need is to sit back, relax and enjoy the show — because what a show it is!
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When the US wanted to use art to conquer the world, they enlisted the help of an up-and-coming American artist, a Jewish Italian art dealer and a woman with political connections. The result was a victory like no other, the story told in a wondrous documentary which is releasing this weekend in NYC, with LA and other cities to follow.
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‘Megalopolis’photo courtesy of: American Zoetrope and Mihai Malaimare Jr.
The maestro of cinema reinvents something magical and draws us to his latest masterpiece like moths to a flame. Can’t wait to get burned!
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And the film importantly holds proof that in order to understand our future, we must look at the past — the very distant, millions of years ago, dinosaurs and all, past!
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This is definitely a film you won’t want to miss. And read on for a personal interview with the Syrian filmmaker to find out why.
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And no, while it does have pink lettering on the poster, it’s not ‘Barbie’. But it is female-directed and features a woman who proves an inspiration to women young and old…
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If you’d asked me a year ago did I believe cinema could change the world, I would have answered you with an enthusiastic “yes!” Now? Read on to find out…
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Maybe it’s the way the 8-part series — spearheaded, written and directed by Steven Zaillian — showcases a kind of world gone by, in its hauntingly perfect B&W. Or maybe it’s how there is a bit of Tom Ripley in each and every one of us. Whatever the reason, the Andrew Scott starrer is now deeply embedded in my heart… and thoughts.
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And there is buzz the film might world premiere in Cannes — fingers crossed!
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A still from ‘Ladies Coffee’ courtesy of Al-Agroobi.
The London-based Emirati director is a personal favorite and her latest project breaks all the conventions set for Arab women filmmakers, in favor of a genre bending short that begs to be watched on the big screen.
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A still from the film © Reiner Holzemer Film
The latest documentary from the German filmmaker, whose mission appears to shoot cinematic homages to all things cool, will be shown to FIFA audiences in Montreal on March 21st.
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A still from the film, courtesy of © Tanit Films, Midi La Nuit, Instinct Bleu
The feature debut by the Oscar-nominated Tunisian-Canadian filmmaker is a cinematic painting, an ode to her ‘Brotherhood’ stars who were not given a visa to travel to the Berlinale. An injustice that seemed to go unnoticed in the midst of all the festival drama.
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The special preview on 17 February will be followed by a discussion with Ben Hania who will be present in person.
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A still from ‘Brief History of a Family’ by Jianjie Lin
They include two projects ‘In Competition’, three in ‘Panorama’, one each in the ‘Encounters’ and ‘Generation’ sections.
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