“DISCLAIMER*
*Any resemblance to persons living or dead is not a coincidence.”
Read MoreCate Blanchett and Sasha Baron Cohen in a still from ‘Disclaimer’ by Alfonso Cuaron
Wildlife filmmaker Ashwika Kapur's 'Catapults to Cameras' nominated for prestigious award at Jackson Wild
Roundglass Sustain, a non-profit foundation which commissioned this film, is the only conservation platform in India that collaborates with partners such as photographers, filmmakers and NGO’s to create stories that impact change and behavior.
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'Deadpool and Wolverine': Cameos, bromance and a rocking soundtrack turn Marvel film into a worldwide hit
In the first R-rated film for Marvel, and a marketing win for Disney all around, Ryan Reynolds and Hugh Jackman bring it, to an entertaining blockbuster that is this summer’s ‘Barbie’.
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Joan Chen and Izaac Wang in a scene from Sean Wang’s ‘DÌDI’
Joan Chen, Izaac Wang and filmmaker Sean Wang talk 'DIDI', a film you simply cannot miss
An American coming of age story like you’ve never watched on the big screen before, ‘DÌDI’ opens this weekend and it is a must watch. I caught up with the stars and the visionary filmmaker for a Zoom press conference and here are a couple of takeaways to whet your appetite.
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'Why War' may be Amos Gitai's most important film to date and will screen at this year's Venice Film Festival
For a man whose personal mission has been to “build bridges through cinema,” as he told La Repubblica newspaper in an interview just published this week, his latest film may prove the most important peace-making link yet.
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Venice Film Festival line up includes latest from Amos Gitai, Scandar Copti, Pedro Almodóvar, plus a series from Alfonso Cuarón, Luca Guadagnino's 'Queer' and Pablo Larraín's 'Maria'
All wrapped up with the Lady Gaga starrer ‘Joker: Folie à Deux’, Tunisian gem ‘Aïcha’ by Mehdi Barsaoui and ‘Wolfs’ starring George Clooney and Brad Pitt — talk about a festival for the stars!
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Image copyright Fondo Giuseppe Quatriglio, used with permission
A "dialogue between absence and presence": Costanza Quatriglio on her stunning, personal doc 'The Secret Drawer'
The film, which world premiered at this year’s Berlinale, will enjoy its UK Premiere as part of the 3rd bi-annual Cinecittà Italian Doc Season, on July 20-21 at London’s Bertha DocHouse.
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Karim Aïnouz's 'Firebrand' will be in UK cinemas starting September 6th courtesy of MetFilm
And not a moment too soon if you ask me!
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My hacks for learning to love Yorgos Lanthimos' 'Kinds of Kindness' -- a quick review
Hint: it’s a film all about reinvention, rebirth but also the dynamics of control.
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Redefining the Hero: Laura Poitras' 2017 film 'Risk' and the True Julian Assange
This review of the film was originally posted on the HuffPost, in May of 2017 as the film was opening in the US. I felt this film is more poignant than ever, as Assange is finally released and returns to his home country.
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Sophia Loren in a frame from the film ‘L’oro di Napoli’ by Vittorio De Sica
Vittorio De Sica's classic 'L'oro di Napoli' is pre-opening film of 81st Venice Film Fest
The Pre-opening film will screen on Tuesday August 27th of the 81st Venice International Film Festival of La Biennale di Venezia, on the 50th anniversary of the death of Vittorio De Sica and the 70th anniversary of the film.
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DreamWorks Animation launches brand new trailer for 'The Wild Robot' in Annecy
The latest DreamWorks Animation title will be distributed by Universal and is a new adaptation of the literary sensation by Peter Brown.
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Richard Linklater's 'Hit Man' is an all around hit you should watch in cinemas, and on Netflix
Here are a few reasons why… One hint? Glen Powell smolders. You’re welcome.
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Three things I loved about 'Furiosa: A Mad Max Saga' in Cannes
I know, I know, I’m not the film’s target demographic, so instead of showing my age and complaining about the noise and video game aesthetics, I’ll share three things I loved about the latest installment of the series, directed and co-written by George Miller.
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'Being Maria' Cannes Review: A problematic woman or simply someone who dared to call it like it is?
Cinematic, albeit scandalous history was made in 1972 when Bernardo Bertolucci’s ‘Last Tango in Paris’ was first screened. Now French filmmaker Jessica Palud, with the help of a book written by Maria Schneider’s cousin, retells the story to finally bring out the heroine in a woman who simply stood up for herself. And, as is often the case for strong women, lost.
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'The Glassworker' presentation in Cannes: Witnessing Pakistani cinema history unfold
Pakistan may not yet be known for great 2D hand-painted animation, but the Riaz cousins plan to change all that, come this year’s world premiere of ‘The Glassworker’ at the prestigious Annecy Festival in June.
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Francis Ford Coppola's 'Megalopolis' Cannes "review": For the love of cinema (and America)
If you go into Coppola’s opus without a heavy belief in romance and a huge cultural knowledge of cinema, you’ll miss the point. Once you’ve got that sorted, all you need is to sit back, relax and enjoy the show — because what a show it is!
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'Wild Diamond' Cannes Review: A woman's story for the age we live in
Agathe Riedinger’s Competition title shows us the contradictions and pressures of being a modern woman. And the resulting film is a work of the seventh art not to be missed.
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'Taking Venice' review: An art caper documentary that feels like a thriller
When the US wanted to use art to conquer the world, they enlisted the help of an up-and-coming American artist, a Jewish Italian art dealer and a woman with political connections. The result was a victory like no other, the story told in a wondrous documentary which is releasing this weekend in NYC, with LA and other cities to follow.
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‘Megalopolis’photo courtesy of: American Zoetrope and Mihai Malaimare Jr.
First trailer: Francis Ford Coppola's 'Megalopolis' looks sensational
The maestro of cinema reinvents something magical and draws us to his latest masterpiece like moths to a flame. Can’t wait to get burned!
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